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- Natureza morta em Eduardo VianaPublication . caseirao, armando; Calado, MargaridaThe present essay pretends to be a contribution to the works of Eduardo Viana, who dedicated most of his life to the painting of still-life genre. In this sense, we originally pretend to find the genesis of the word and know its course in Portuguese artistic environment. Viana played a decisive roll in national modernism, in spite of living abroad for 25 years. When he finally returned home, persecuted by the Second World War, he exclusively dedicated himself to still-life painting, having been rewarded with several prizes. The analysis of the Portuguese and European environment and the artist’s life were essential for the study of its deeds. Here we present those who knew him closely, his Portuguese and foreigner friends as well as those who, directly or indirectly, exerted some influence in his work, with the analysis, comparison and dissection of it’s work
- Gama, nº17 (Jan./jun. 2021)Publication . Queiroz, João; Mena, Ana; Viruete, Joaquín Escuder; caseirao, armando; BRONZE, MANUELA; Gomes, Paulo César Ribeiro; Grando, Angela; Almeida, Ana; Cova, Massimo; Garcia, Simone Cristina; Oliveira, Adriana; Martins, Tatiana da Costa; Macedo, Juliana Gouthier; Oliveira, João Augusto Cristeli de; Pinto, Ana Lúcia; Tapadas, Sandra; Rita, Dora Iva; Lima, Cladenir Dias de; CESARIO, WELLINGTONA edição número 17 da revista Gama apresenta 15 artigos originais que se debruçam sobre a obra de artistas contemporâneos ou mais antigos numa perspetiva de revisitação reapreciadora das suas obras promovendo-se assim um olhar de resgate
- A vergonha de ser LucréciaPublication . caseirao, armandoTendo por base o conceito de vergonha e, a reacção de auto mutilação, apresentamos o resultado da realização de um conjunto de desenhos, que abordam o conceito de vergonha, expressa a partir das representações de Lucrécia, que segundo a lenda se suicidou perante a vergonha de ter sido violada e chantageada por Sexto Tarquinio: este tema foi abordado por diversos pintores como Jorg Breu ou Lucas Cranach. Mais particularmente a partir da obra de Lorenzo Lotto, Ritratto di gentildonna nelle vesti di Lucrezia, de 1533, onde uma jovem ostenta um desenho representando Lucrecia, desenvolvemos um conjunto de desenhos onde a abordagem contemporânea pretende retratar as imagens resultante da vergonha e da automutilação. Transposição desse mesmo conceito para trabalhos que espelham a contemporaneidade de um quotidiano pautado pela internet e smartphones, com redes sociais e livestreaming.
- Apaga a luz e faz-me um desenho.... ou uma poesia : o processo criativo na Blackout PoetryPublication . caseirao, armandoO presente artigo pretende mostrar o método criativo da Blackout Poetry assim como o resultado dos desenhos conseguidos em vários livros usados no processo. Análise de situações paralelas e da estreita relação entre a poesia e o desenho ou a pintura, o pensamento de Platão sobre a matéria, passando pelas iluminuras, poesia visual barroca e contemporânea e a Blackout Poetry. Apresentação do processo de realização e construção de Blackout Poetry em livro de artista.
- Génesis 72-75: uma abordagem aos figurinos de Peter GabrielPublication . caseirao, armando
- José Escada 1934-1980 : a consciência do desenho na conquista de outra dimensãoPublication . caseirao, armando; Arruda, LuísaThe following work intends to be a contribution to the study of drawing in the work of the painter José Escada. To accomplish that, it was necessary to investigate his artistic life and all of his works, for Escada dedicated most of his life to artistic production. Escada played a very important roll in national artistic scene, although he lived for about a decade in Paris where he faced extreme difficulties. In the city of lights where he exiled due to a miss understanding, he founded the KWY group with René Bertholo, Lourdes Castro, João Vieira, Costa Pinheiro, Gonçalo Duarte, Jan Voss and Christo, which had great relevance in the artistic world at the time. He returned to Portugal as the “Primavera Marcelista” settled in, but shortly after the April revolution’s consequences stroked the art market and left the painter with financial difficulties, even though he never quitted drawing. We began the investigation with the specific purpose of studying drawing in the painter’s works; however, we were confronted with the need of disclosure the painter’s life as until now nothing has been documented about the artist and we consider that for analyzing his work we must know and understand the circumstances of his life. Analyzing his life was determinant to approach his work. We present those who related to him, his Portuguese and foreign painter friends, those who directly or indirectly influenced his work, and we analyze and compare art works and its dissection. We investigate the importance of drawing in the whole of his work, in his diversity of techniques, in the construction of his multiplicity works whether plane or three-dimensional, figurative or not. In order to analyze his work we separated his artistic production by themes so that we could better comprehend both formal and conceptual preoccupations. Finally, we chronologically regrouped in a contribution for a Catalogue Raisonné all of his works that we were able to find.
- Jornadas internacionais de cenografia e figurinos : livro de atasPublication . Dias, Fernando Rosa; Cordeiro, Marta; Morais-Alexandre, Paulo; Calixto, Joao; Trindade, António Oriol; Augusto, Michele; Nunes, Sheila Radburn; Franqueira, Sara; caseirao, armando; Rodrigues, Dárida; Pinela, Leonor; Cruz, MiguelA obra incorpora as atas das 1ªs Jornadas Internacionais de Cenografia e Figurinos, que decorreram em vários espaços de Lisboa; Faculdade de Belas Artes, Escola Superior de Teatro e Cinema, e no Museu do Teatro e da Dança, nos dias 2, 3 e 4 de maio de 2022
- Na minha cama com DürerPublication . caseirao, armandoIn the morning, I found myself staring at my undone bed… The draperies and cushions produced a series of rhythms, wrinkles, light and shadows that sent my imagination to rivers, mountains and hills, fantastic landscapes, textures of varying scales, a different world every day, the result of a different night all nights. The plasticity of the cloths as well as of the cushions makes the bed as a phenomenon to present itself as a novelty day after day. Sometimes still in the gloom, the morning daily ritual of awakening leads to a dazzle before the phenomenon of the rhythm of the folds, the shadows’ pleats and creases of the draperies and their textures. With a quick drawing we register the absence of the body, we register the impressions left by it
- :Estúdio, vol.10, nº28 (Out./Dez. 2019)Publication . Queiroz, João; Lopes, Almerinda; Hernández Simal, Iratxe; caseirao, armando; Rodríguez Cañestro, Sheila; Garcerá Ruiz, Javier; Cole, Ariane Daniela; Maneschy, Orlando; Stoco, Sávio Luis; Lesnovski, Ana Flávia Merino; Larín, Letícia; Cantalozella, Joaquim; Rodrigues, Teresa Palma; Padilla Machó, Oscar; Viruete, Joaquín Escuder; Linhares, Mário; Corujo, Cecília; Alberti, Raquel Sampaio; Esther Santamaría Fernández, AnaNunca como agora se conviveu com tanta invisibilidade: as imagens são hegemónicas, omnipresentes, e por isso invisíveis. Já não são dramáticas, são virais. São baratas, pervasivas, instantâneas. Aceites no seu valor micro, as imagens são monetizada, transformadas em liquidez. As imagens, cada vez mais visíveis, são por isso invisíveis. De certo modo poderemos acompanhar estas perplexidades na presente edição, onde os artistas são desafiados à visibilidade, através dos artigos aqui reunidos.
- XXI Desenhos: relatório do programa de pós-doutoramentoPublication . caseirao, armando