Publication
Porque sou imperfeita : the end, a ópera vocaloid "sem" humanos
| dc.contributor.author | Sousa, Ana Matilde, 1984- | |
| dc.date.accessioned | 2017-10-26T11:02:25Z | |
| dc.date.available | 2017-10-26T11:02:25Z | |
| dc.date.issued | 2017-01 | |
| dc.description.abstract | Promoted as the “first humanless opera”, THE END is a new media performance by Keiichiro Shibuya, starring the Japanese virtual idol Hatsune Miku. Fruit of a collaboration between renown creators from various fields, the physical disavowal on stage emphasizes the “thickness” and vitality of the new media, including their ephemeral and complex networks of relationality. Far from an empty shell with no agency, Miku is presented as an imperfect entity, serving as ambassador for the “weird materialities” of contemporary digital culture | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | In: Croma. - Lisboa, 2017-. - Vol. 5, nº 9 (Jan./Jun. 2017), p. 98-114 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/29437 | |
| dc.language.iso | por | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes | pt_PT |
| dc.subject | Keiichiro, Shybuya, 1973- | pt_PT |
| dc.subject | Miku, Hatsune (Personagem BD) | pt_PT |
| dc.subject | Arte contemporânea - Japão | pt_PT |
| dc.subject | Performance art | pt_PT |
| dc.subject | Animação | pt_PT |
| dc.subject | Arte digital | pt_PT |
| dc.subject | Erro | pt_PT |
| dc.subject | Crítica e interpretação | pt_PT |
| dc.title | Porque sou imperfeita : the end, a ópera vocaloid "sem" humanos | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.endPage | 114 | pt_PT |
| oaire.citation.startPage | 98 | pt_PT |
| oaire.citation.title | Croma | pt_PT |
| oaire.citation.volume | Vol. 5, nº 9 (Jan./Jun. 2017) | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
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