Browsing by Issue Date, starting with "2017-01"
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- A arte que desperta as memórias latentes : medos e desejosPublication . Rodrigues, Luís Filipe Salgado PereiraI suggested to my pupils from 9th grade to contextualize what it is not usually contextualized. The aim was to create a new order of ideas to produce the emergence of the oppressed feelings that usually interfere on the behavior, creating fears and annulling wishes. Through the opposition between the divergences from material nature, it was expected that pupils, in their unconsciousness, lost their fears and realized their wishes
- Educação artística : pode-se pensar do outro lado do código?Publication . Queiroz, João Paulo, 1966-The mind outgrew man: language survives us, allows the transmission of acquisitions, conveys the culture from generation to generation. The language thinks us. The artifacts that we produce do act on us by strange powers: and the human is devalued by things. People want to look like images, delightful bitmaps. This is the place for a special attention in Arts Education: one can think being on the other side of the code? The 18 articles collected here allow us to put this question, as a cross pedagogy: art asks us questions, art education can help us to like to be asked questions, and to like to make new questions. This is as simple as good works of art
- A obra gráfica de Otacílio Camilo : a reprodução e a rememoração das imagensPublication . Fervenza, Helio, 1963-For the present paper, I have examined two pieces by artist Otacílio Camilo. These were chosen from a large ensemble of woodcuts, all of which presented in the same format of around 3x4 cm. The purpose of this paper is to analyze the way in which these two pieces take possession of images stemming from industrial means of reproduction and from the culture industry’s imaginary and take advantage of an “anachronistic” medium in order to provoke perceptions regarding the reproductive nature of these images and the collective memory
- O Livro dos Arrependimentos : emblemas de Maria do Céu DielPublication . Mibielli, Bruna PennaThe Book of the Regrets by Maria do Céu Diel invites to an expanded analysis in the art field and shows emblematic images that inquires the viewer about their own myths of origin, poetic influences and ways of living. To this material is added other works which come together under the aegis of the original creation like The Red Book of C.G. Jung, Emblemata by Andreae Alciati, Iconologia or Moral Emblems by Caesar Ripa and Atalanta Fugiens by Michael Maier
- Da paisagem, do tempo e do logro na pintura de Domingos LoureiroPublication . Piteira, Susana, 1963-The work of Domingos Loureiro claims the currentness of aesthetics and nature. It approaches the idea of landscape in contemporary artistic practice as a concept materially and immaterially constructed by culture (Maderuelo, 2006). Continuously permeated by ontological ideals of the painting tradition, this work, in form of palimpsest, leads us to public intervention of spacial and interdisciplinary character
- Lizângela Torres em incursões noturnas : notas sobre a poética das sombras projetadas pela artistaPublication . Cunha, Eduardo Figueiredo Vieira da, 1956-The article deals with the work of Brazilian artist Lizângela Torres (Brazil, 991), more specifically the series “Night Incursions” when obscure situations are explored through video, photography, design and installations. It is intended to deal with the poetics of projected shadow, and its role as the driver of a plastic work. Melancholy, the alliance with the night, and the negative will be linked to the myth of the origin of the painting of Pliny the Elder. It is where the desire for figuration of this shadow can give shape to our ghosts
- Vinicius Dantas e a expansão tecnológica do corpoPublication . Nunes, Fábio OliveiraThe Brazilian artist-designer Vinicius Dantas, has acted in the relations between body and technology with artworks that explicit body dimensions and the possible art-technological contaminations on these processes. In this text, we will indicate some reflections about three creations — Quintestigma, Saudades and BafoGanesh — considering possibilities of amplification of the body by technology
- 10 x 10 desejos de uma outra escolaPublication . Soares, Lara, 1982-This article focus on the project 10 × 10 integrated at the Gulbenkian Education Program for Culture and Science, as a discussion platform for a set of questions that arise from my practice of project monitoring in all its phases. Think the relationship between teaching practices and artistic practices, a breakage map and deviations is the proposal of this article
- Da tela à parede da fábrica : Edgard Pillet, a arte abstrata integrada e os equívocos na sua aceitaçãoPublication . Marques, Inês Andrade, 1976-In 1952 Edgard Pillet (1912-1996) paints a set of abstract murals inside the Mame typographies in Tours, France. Being an unprecedented experience, it is an eloquent attempt to approach art to the common citizen, fulfilling the ideals of the vanguards of the beginning of the 20th century. This communication contextualizes this artistic intervention in the painter's work, reflecting on the echo it had in Lisbon, where a heated debate was being fought between abstract and figurative painters
- Porque sou imperfeita : the end, a ópera vocaloid "sem" humanosPublication . Sousa, Ana Matilde, 1984-Promoted as the “first humanless opera”, THE END is a new media performance by Keiichiro Shibuya, starring the Japanese virtual idol Hatsune Miku. Fruit of a collaboration between renown creators from various fields, the physical disavowal on stage emphasizes the “thickness” and vitality of the new media, including their ephemeral and complex networks of relationality. Far from an empty shell with no agency, Miku is presented as an imperfect entity, serving as ambassador for the “weird materialities” of contemporary digital culture