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Authors
Advisor(s)
Abstract(s)
Promoted as the “first humanless opera”, THE END is a new media performance by Keiichiro Shibuya, starring the Japanese virtual idol Hatsune Miku. Fruit of a collaboration between renown creators from various fields, the physical disavowal on stage emphasizes the “thickness” and vitality of the new media, including their ephemeral and complex networks of relationality. Far from an empty shell with no agency, Miku is presented as an imperfect entity, serving as ambassador for the “weird materialities” of contemporary digital culture
Description
Keywords
Keiichiro, Shybuya, 1973- Miku, Hatsune (Personagem BD) Arte contemporânea - Japão Performance art Animação Arte digital Erro Crítica e interpretação
Pedagogical Context
Citation
In: Croma. - Lisboa, 2017-. - Vol. 5, nº 9 (Jan./Jun. 2017), p. 98-114
Publisher
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes