A carregar...
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 33.31 KB | PNG | |||
| 12.56 MB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
No âmbito de uma investigação sobre o Prémio Anunciação, foi realizado um estudo detalhado de um conjunto de obras premiadas e vencedoras pertencentes à Faculdade de Belas-Artes da Universidade de Lisboa (FBAUL) e à Academia Nacional de Belas-Artes. Instituído em 1884 em homenagem a Tomás da Anunciação (1818-1879), um renomeado pintor português do período romântico, o Prémio Anunciação visava premiar a melhor representação de um animal a partir da observação direta da natureza. Este concurso era exclusivamente destinado aos alunos do curso de pintura – paisagem e história – da Academia de Belas-Artes de Lisboa. Entre os animais representados nas provas, destacam-se o burro, cavalo, mula, boi, vaca, ovelhas, cabras, patos e coelhos. O projeto consistiu no estudo histórico do prémio, bem como na realização de tratamentos de conservação e restauro num conjunto de quinze pinturas, com o objetivo de permitir a sua posterior exibição numa exposição dedicada à temática. A intervenção de conservação e restauro teve como principal objetivo garantir a preservação das pinturas no seu conjunto, com o recurso a tratamentos discerníveis e removíveis. Este trabalho permitiu recuperar a legibilidade das obras, devolvendo-lhes estabilidade e viabilizando, assim, a sua apresentação ao público. A apresentação dos resultados culminou numa exposição e catálogo, resultado de uma investigação exaustiva e rigorosa sobre o Prémio Anunciação. Esta iniciativa proporcionou o restabelecimento de um conjunto singular de obras académicas, criadas por pintores portugueses de grande relevância para a história da arte nacional. Através desta análise, perpetua-se a memória de uma das mais importantes manifestações de representação animalista em Portugal
Within the scope of a study on the Prémio Anunciação (Anunciação Prize), a detailed analysis was conducted on a set of awarded and winning works belonging to the Faculty of Fine Arts of the University of Lisbon (FBAUL) and the National Academy of Fine Arts. Instituted in 1884 in honour of Tomás da Anunciação (1818-1879), a renowned Portuguese painter of the Romantic period, the Anunciação award aimed to reward the best representation of an animal based on direct observation from nature. This competition was exclusively open to students of the painting course – landscape and history – at the Academy of Fine Arts of Lisbon. Among the animals depicted in the entries were donkeys, horses, mules, oxen, cows, sheep, goats, ducks, and rabbits. The project involved the historical study of the prize, as well as the conservation and restoration of a set of fifteen paintings, with the aim of enabling their subsequent display in an exhibition dedicated to the theme. The conservation and restoration intervention primarily sought to ensure the preservation of the paintings as a group, employing discernible and reversible treatments. This work made it possible to recover the legibility of the works, restore their stability, and consequently facilitate their public exhibition. The presentation of the results culminated in an exhibition and catalogue, the outcome of a thorough and rigorous investigation into the Anunciação Prize. This initiative enabled the revival of a unique collection of academic works created by portuguese painters of great significance to the history of national art. Through this analysis, the memory of one of the most important expressions of animalistic representation in Portugal is perpetuated.
Within the scope of a study on the Prémio Anunciação (Anunciação Prize), a detailed analysis was conducted on a set of awarded and winning works belonging to the Faculty of Fine Arts of the University of Lisbon (FBAUL) and the National Academy of Fine Arts. Instituted in 1884 in honour of Tomás da Anunciação (1818-1879), a renowned Portuguese painter of the Romantic period, the Anunciação award aimed to reward the best representation of an animal based on direct observation from nature. This competition was exclusively open to students of the painting course – landscape and history – at the Academy of Fine Arts of Lisbon. Among the animals depicted in the entries were donkeys, horses, mules, oxen, cows, sheep, goats, ducks, and rabbits. The project involved the historical study of the prize, as well as the conservation and restoration of a set of fifteen paintings, with the aim of enabling their subsequent display in an exhibition dedicated to the theme. The conservation and restoration intervention primarily sought to ensure the preservation of the paintings as a group, employing discernible and reversible treatments. This work made it possible to recover the legibility of the works, restore their stability, and consequently facilitate their public exhibition. The presentation of the results culminated in an exhibition and catalogue, the outcome of a thorough and rigorous investigation into the Anunciação Prize. This initiative enabled the revival of a unique collection of academic works created by portuguese painters of great significance to the history of national art. Through this analysis, the memory of one of the most important expressions of animalistic representation in Portugal is perpetuated.
Descrição
Relatório de Pós-doutoramento, Belas-Artes, 2025, Universidade de Lisboa, Faculdade de Belas Artes
Palavras-chave
ANBA Conservation and restoration FBAUL Paintings Anunciação Prize ANBA Conservação e Restauro FBAUL Pinturas Prémio Anunciação Arts and Humanities (all)
Contexto Educativo
Citação
Cardeira, L & Bailão, A M 2025, Prémio Anunciação : conservação e restauro de obras académicas.