Browsing by Author "Reis, Jorge dos, 1971-"
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- Desenhar uma voz, uma voz visível, uma voz humanaPublication . Reis, Jorge dos, 1971-
- Fonte tipográfica Clarim Fonética : um tipo de letra ao som da língua portuguesaPublication . Reis, Jorge dos, 1971-The typeface or typographic font Clarim Fonética is an alphabet that takes the phonetics of the vowels and consonants of the Portuguese language to reach its forms and so graphically shape them from the individual sound of each one. In this way the student can learn to read with an immediate visualization of the sound of each letter of the Portuguese — being the phoneme-grapheme connection absolutely direct and noticeable, without altering the traditional orthography
- From the Mediterranean Sea shores to the fringes of the Sahara Desert : a calligraphic journeyPublication . Reis, Jorge dos, 1971-
- I scream ice cream - screaming femalesPublication . Reis, Jorge dos, 1971-
- Olho de PeixePublication . Reis, Jorge dos, 1971-
- Palavra-sagrada-letra-idolatrada : uma análise sociológica da sacralização da escrita tipográfica seguida de uma viagem à catedral de Santiago de Compostela para visualizar o Códice Calixtino na sua relação contextualPublication . Reis, Jorge dos, 1971-The sacralization of the letter and writing, their idolatry in the western typography and eastern calligraphy, call for an analysis of sociology that takes us to the paths that lead to Santiago de Compostela and its sanctuary. The letter and writing are used by religions as a receptacle of the message, as a visual representation of typography, as exemplified by the illuminated manuscripts and the Latin calligraphy in the Codex Calixtino, organized into five heterogeneous books
- Para uma leitura tipográfica da escultura de João Charters de AlmeidaPublication . Reis, Jorge dos, 1971-
- As partituras gráficas e sonoras de Ernesto Melo e Castro : sua construção e performancePublication . Reis, Jorge dos, 1971-It is starting from the counterpoint phoneme-grapheme that we reach the work of Ernesto Melo e Castro, bottoming this observation on a fundamental criterion, centered on the production of a poetry that allows phonetic performance or even, in certain cases, a sound poem. Thus, the author’s works selected here are based on the concept of graphic scores and notation