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Esta investigação de Pós-doutoramento em Pintura concentrou-se no conhecimento aprofundado e na seleção de um conjunto de cerca de 100 obras inéditas do artista Nadir Afonso, para a realização de análises. Artista português contemporâneo e arquiteto, desenvolveu conjuntamente, uma metodologia singular na pintura e foi inovador na elaboração de um pensamento filosófico/estético, sendo autor de vários livros que compõem a sua Teoria Estética, Diante da imensa produção do universo criativo deste pintor, com inúmeras obras, foi um desafio selecionar e circunscrever o foco de observação. O conhecimento dos contextos de vida do artista facilitou a imersão em suas obras. A verificação criteriosa privilegiou um estudo da génese de algumas pinturas, a partir dos Estudos iniciais, dos desenhos de juventude, de um conjunto de Fotografias intervencionadas do artista. Séries de pinturas a guache sobre papel, em acrílico e óleo sobre tela fizeram parte do conjunto das 100 obras inéditas selecionadas. Ao seguir um modelo iconológico de análise criado por Aby Warburg, e desenvolvido por Erwin Panofsky, limitei-me ao significado primário, de descrição pré-iconográfica, para realização de análises de obras de seu acervo. Estas análises foram elaboradas a partir da perceção e observação de obra a obra (temática, conceito, período de classificação, composição, técnica, paleta de cores, metodologia criativa, materiais e suportes). Verificou-se um novo Período de classificação para as pinturas - Período Paisagens de Ouro - com características específicas de composição e de paleta de cores, em que foram enquadradas 40 obras e há muitas outras a serem inseridas neste período. Sugerimos mais uma classificação a nível conceituai e até metafísico, como Período Natureza Simbólica, para obras, cujos títulos evoquem este cariz alegórico. Consideramos que este estudo venha a estimular investigações futuras e possibilite a divulgação, o reconhecimento e a integração de sua produção artística no debate da Arte Contemporânea portuguesa e internacional.
This postdoctoral research in painting focused on in-depth knowledge and the selection of a set of around 100 unpublished artworks by the artisc Nadir Afonso for analysis. A contemporary Portuguese artist and architect, he developed a unique methodology in painting and was innovative in the elaboration of a philosophical/aesthetie thought, being the author of several books that make up his Aesthetic Theory. Given the immense production of this painter's creative universe, with countless artworks, it was a challenge to select and circumscribe the focus of observation. Knowledge of the artist's life contexts facilitated immersion in his artworks. Careful verification favoured a study of the genesis of some paintings, based on the inicial studies, the drawings of his youth, and a set of Fotografias intervencionadas by the artist. Series of paintings in gouache on paper, acrylic and oil on canvas were part of the set of 100 unpublished works selected. Following an iconological model of analysis created by Aby Warburg and developed by Erwin Panofsky, l limited myself to the primary meaning of pre-iconographic description, to analyse artworks from his collection. These analyses were based on the perception and observation of each artwork (theme, concept, classificacion period, composition, technique, colour palette, creative methodology, materials and supports). A new classification period for the paintings was identified - Período Paisagens de Ouro - with specific characteristics of composition and colour palette, in which 40 works were classified, with many others to be included in this period. We suggest another classification at a conceptual and even metaphysical period, such as Período Natureza Simbólica, for works whose titles evoke this allegorical nature. We believe that this study will stimulate future research and enable the dissemination, recognicion and integration of his artistic production into the debate on Portuguese and international contemporary art.
This postdoctoral research in painting focused on in-depth knowledge and the selection of a set of around 100 unpublished artworks by the artisc Nadir Afonso for analysis. A contemporary Portuguese artist and architect, he developed a unique methodology in painting and was innovative in the elaboration of a philosophical/aesthetie thought, being the author of several books that make up his Aesthetic Theory. Given the immense production of this painter's creative universe, with countless artworks, it was a challenge to select and circumscribe the focus of observation. Knowledge of the artist's life contexts facilitated immersion in his artworks. Careful verification favoured a study of the genesis of some paintings, based on the inicial studies, the drawings of his youth, and a set of Fotografias intervencionadas by the artist. Series of paintings in gouache on paper, acrylic and oil on canvas were part of the set of 100 unpublished works selected. Following an iconological model of analysis created by Aby Warburg and developed by Erwin Panofsky, l limited myself to the primary meaning of pre-iconographic description, to analyse artworks from his collection. These analyses were based on the perception and observation of each artwork (theme, concept, classificacion period, composition, technique, colour palette, creative methodology, materials and supports). A new classification period for the paintings was identified - Período Paisagens de Ouro - with specific characteristics of composition and colour palette, in which 40 works were classified, with many others to be included in this period. We suggest another classification at a conceptual and even metaphysical period, such as Período Natureza Simbólica, for works whose titles evoke this allegorical nature. We believe that this study will stimulate future research and enable the dissemination, recognicion and integration of his artistic production into the debate on Portuguese and international contemporary art.
Descrição
Relatório de Pós-Doutoramento, Pintura, 2025, Universidade de Lisboa, Faculdade de Belas-Artes.
Palavras-chave
Painting Contemporary Art Nadir Afonso Morphometry Aesthetics Pintura Arte Contemporânea Nadir Afonso Morfometria Estética Arts and Humanities (all)
Contexto Educativo
Citação
Pereira, C M, Quintas, F & Sardo, D 2025, Para além do azul do céu : pinturas inéditas de Nadir Afonso: guache e tinta acrílica.