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Resumo(s)

This thesis is an approach to the life and ceramic work of Querubim Lapa in the sense of his recognition as an agent/producer amidst his cultural and artistic group. This study has developed in two distinct but interwoven ways. On the one hand we have the artist's life story and his ceramic work and on the other, ceramic as the agent of a different approach. Therefore the research aimed at the appreciation of the artist's personality in order to uncover his identity, space and imaginary, as well as the recognition of the plastic and aesthetic values of his work as a result of an innovative language which benefited from an artistic background in which taking off and adding up are harmoniously interwoven. Furthermore, this study also recognises him as an agent of new realities produced by successive experimentations when he handles the materials with his own hands. The other side of the investigation focused on Portuguese ceramics, as the background of the ceramic work of Querubim, so as to have an historical perspective of this artistic discipline in which there is a strong technological component. This evaluation is made in order to understand the way it is taught in the Portuguese school system and to comprehend the reasons for its continuity, as well as the contribution of factories in this process. A special attention was given to the connection between architecture and ceramics personified both by the architects and Querubim Lapa, bearing in mind that on a first stage ceramics was organically linked with architecture and would eventually evolute in the sense of a depuration and formal autonomy

Descrição

Tese de mestrado em Teorias da Arte, apresentada á Universidade de Lisboa através da Faculdade de Belas Artes, 2004

Palavras-chave

Lapa, Querubim, 1925- Cerâmica Criticismo

Contexto Educativo

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Licença CC