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Entre aquelarres y reordenaciones pictóricas : un acercamiento a la obra de José Carlos Naranjo

2016-10Journal article Open access
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dc.contributor.authorParras, Simón Arrebola
dc.date.accessioned2019-06-14T10:07:46Z
dc.date.available2019-06-14T10:07:46Z
dc.date.issued2016-10
dc.description.abstractThis paper focuses its analysis on the painting of José Carlos Naranjo. The approach to his universe will carry through from three points of view. First, from the inquiry into his personal imaginary through nocturnal spaces and figures behind or in shadow. Second, from the study of his work process from a painting built intuitively. Finally, his link with the tradition of the history of paintingpt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationIn: Estúdio. - Lisboa, 2016-. - Vol. 7, nº16 (Out./Dez. 2016), p. 49-57pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/38625
dc.language.isospapt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artespt_PT
dc.subjectNaranjo, José Carlos, 1983-pt_PT
dc.subjectPinturapt_PT
dc.subjectProcesso de trabalhoxpt_PT
dc.subjectProcesso de trabalhopt_PT
dc.subjectCultura visualpt_PT
dc.subjectUrbanismopt_PT
dc.subjectTeoria da artept_PT
dc.subjectCriticismopt_PT
dc.titleEntre aquelarres y reordenaciones pictóricas : un acercamiento a la obra de José Carlos Naranjopt_PT
dc.title.alternativeBetween covens and pictorial reconfiguration : an approach to the work of José Carlos Naranjopt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage57pt_PT
oaire.citation.startPage49pt_PT
oaire.citation.titleEstúdiopt_PT
oaire.citation.volumeVol. 7, nº16 (Out./Dez. 2016)pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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