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Em um reino de espíritos invisíveis uma voz gritou uma condição: VIDA TERRENA.
Pensaram os espíritos: aceitamos ou não a condição? Vestiram as roupas-corpo-humano
e as máscaras cara-de-homem e entraram no túnel do tempo rumo à condição humana
mais elementar: a vida. Insuportavelmente mal comportados, estes espíritos-humanos
criaram na Terra novíssimas e diversificadas condições terráqueas e aprenderam até a
comunicar-se – LINGUAGEM – por detrás das máscaras. Escutaram por muito tempo a
antiga voz agora a dizer: VIDA DO ESPÍRITO; quando diziam: SIM, aprendiam as
atividades do espírito: o pensar, o querer e o julgar, quando diziam NÃO, acabavam por
dizer SIM às atividades da vita activa: o labor, o trabalho e a ação. Espíritos maléficos,
um dia gritaram para a voz: VIDA ATIVA DO ESPÍRITO, e ninguém respondeu. Eles
descobriam o segredo - pensou a voz dentro deles - A VOZ saía do lugar de onde eles
gritavam… O relógio rodou algumas vezes, e agora, em um reino imaginário, chamado
mundo teatral, ouviu-se novamente a voz dizer: A MISSÃO - RECORDAÇÕES DE
UMA REVOLUÇÃO! E os espíritos pensaram: a voz voltou para nos enganar. E
gritaram: nós já sabemos que você é quem nós somos, pare já com isso! E a voz
respondeu: nós já sabemos que você é quem nos somos, pare já com isso! E os espíritos
olharam-se espantados. A voz somos nós! A voz somos nós!, disse ela de dentro deles
novamente. No teatro estes espíritos-humanos descobriram como (re) descobrirem-se
em vida. Esta tese trata essencialmente da vida invisível e da vida visível do ser, as
quais Hannah Arendt intitulou de vida do espírito e vita activa, respectivamente.
Adicionalmente, a proposta teatral de Heiner Müller é trazida para o estudo com o
intuito de seguir com o pensamento em visita em prol da libertação das possibilidades
criativas e políticas instaladas no interior de cada indivíduo-espectador-ator a fim de
incentivá-las na esfera do convívio entre homens.
ABSTRACT: In a kingdom of invisible spirits a voice screamed one proposition: EARTHLY LIFE. The spirits thought together: do we accept or not this proposition? They dressed the human-body-clothing and the man-face masks and they went into the time tunnel towards the more elemental human condition called: life. Unbearably misbehaving these human-spirits created on Earth new and diversified earthly conditions and they learnt how to communicate with each other - LANGUAGE - behind their masks. They listened for a long time to the old voice now saying: LIFE OF THE SPIRIT. When they said YES, were learning the spirit activities: to think, to want and to judge; when they said NO, they ended by saying YES to the vita activa activities: labor, work and action. Evil spirits one day screamed to the voice: THE SPIRIT ACTIVITY LIFE, and no one answered. They discovered the secret - the voice inside them thought - the VOICE came out from where they screamed ... The clock rolled over a few times, and now, in an imaginary kingdom called theatrical world, the voice was heard saying: THE MISSION - MEMORIES OF A REVOLUTION! And the spirits thought the voice had come back to trick them again. And they yelled: we already know that you are who we are, stop now! And the voice answered: we already know that you are who we are, stop now! And the spirits looked at each other surprised. We are the voice! We are the voice!, the voice said again from inside of them. In the theater they discovered how to (re)discover their ways of living. This thesis is essentially about the invisible and visible life of the being, which Hannah Arendt called the life of the mind and the vita activa, respectively. Additionally the theater of Heiner Müller is brought to this search aiming to visit by thought and motivation the liberation of creative possibilities and policies inside each individual- spectator-actor. Out of this a proposal for a social and private life may emerge.
ABSTRACT: In a kingdom of invisible spirits a voice screamed one proposition: EARTHLY LIFE. The spirits thought together: do we accept or not this proposition? They dressed the human-body-clothing and the man-face masks and they went into the time tunnel towards the more elemental human condition called: life. Unbearably misbehaving these human-spirits created on Earth new and diversified earthly conditions and they learnt how to communicate with each other - LANGUAGE - behind their masks. They listened for a long time to the old voice now saying: LIFE OF THE SPIRIT. When they said YES, were learning the spirit activities: to think, to want and to judge; when they said NO, they ended by saying YES to the vita activa activities: labor, work and action. Evil spirits one day screamed to the voice: THE SPIRIT ACTIVITY LIFE, and no one answered. They discovered the secret - the voice inside them thought - the VOICE came out from where they screamed ... The clock rolled over a few times, and now, in an imaginary kingdom called theatrical world, the voice was heard saying: THE MISSION - MEMORIES OF A REVOLUTION! And the spirits thought the voice had come back to trick them again. And they yelled: we already know that you are who we are, stop now! And the voice answered: we already know that you are who we are, stop now! And the spirits looked at each other surprised. We are the voice! We are the voice!, the voice said again from inside of them. In the theater they discovered how to (re)discover their ways of living. This thesis is essentially about the invisible and visible life of the being, which Hannah Arendt called the life of the mind and the vita activa, respectively. Additionally the theater of Heiner Müller is brought to this search aiming to visit by thought and motivation the liberation of creative possibilities and policies inside each individual- spectator-actor. Out of this a proposal for a social and private life may emerge.
Descrição
Tese de mestrado, Filosofia, Universidade de Lisboa, Faculdade de Letras, 2013
Palavras-chave
Arendt, Hannah, 1906-1975 - Crítica e interpretação Muller, Heiner, 1929-1995 - Crítica e interpretação Teses de mestrado - 2013
