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Casa de sonhos : fantasmas e realismos no cinema contemporâneo
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This dissertation is dedicated to thinking about the relationship between three vital problems: the fear of death, the practice of registering, and ghosts, which is the name we adopted for that which, despite not being able to be registered, still pulsates in the records. The relationship between these problems, each one developed in its own chapter, intends to collaborate in the analysis of current political and aesthetic issues. In the first chapter, a reflection on the passage of time and death is presented, having as its main object the Babylonian poem He who Saw the Abyss, one of the oldest fictional records that exist until today. In the second, we analyze the social role of registering in what Deleuze and Guattari called "social machines". They are linked to modes of registration, which we relate to modes of realism, especially to the Capitalist Realism, by Mark Fisher. In the third chapter, we approach an ontological turn that we perceive in Cecília Mello's "Ghost Realism", and how this trajectory can offer a gap in Capitalist Realism. The fourth and final chapter intends to conceptually outline this path covered by the previous chapters and serve as a philosophical foundation for the central questions of this master's degree, based largely on Bergson's theory of image and perception. We intend to conclude, finally, that it is only by risking walking through the limits of life that one can go beyond the modes of desire that capitalism makes available in its realism, and that cinema can be the vehicle of these post-capitalist dreams
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Realismo Registos Fantasma Morte Cinema Estética Crítica e interpretação