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Da tela à parede da fábrica : Edgard Pillet, a arte abstrata integrada e os equívocos na sua aceitação

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Abstract(s)

In 1952 Edgard Pillet (1912-1996) paints a set of abstract murals inside the Mame typographies in Tours, France. Being an unprecedented experience, it is an eloquent attempt to approach art to the common citizen, fulfilling the ideals of the vanguards of the beginning of the 20th century. This communication contextualizes this artistic intervention in the painter's work, reflecting on the echo it had in Lisbon, where a heated debate was being fought between abstract and figurative painters

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Keywords

Pillet, Edgard, 1912-1996 Pintura mural Arte vídeo Arte abstracta Tipografia Crítica e interpretação França Ensaios

Pedagogical Context

Citation

In: Gama. - Lisboa, 2013-. - Vol.5 nº9 (jan./jun. 2017), p. 110-118

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Publisher

Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes

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