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Da tela à parede da fábrica : Edgard Pillet, a arte abstrata integrada e os equívocos na sua aceitação

dc.contributor.authorMarques, Inês Andrade, 1976-
dc.date.accessioned2017-07-21T13:52:39Z
dc.date.available2017-07-21T13:52:39Z
dc.date.issued2017-01
dc.description.abstractIn 1952 Edgard Pillet (1912-1996) paints a set of abstract murals inside the Mame typographies in Tours, France. Being an unprecedented experience, it is an eloquent attempt to approach art to the common citizen, fulfilling the ideals of the vanguards of the beginning of the 20th century. This communication contextualizes this artistic intervention in the painter's work, reflecting on the echo it had in Lisbon, where a heated debate was being fought between abstract and figurative painterspt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationIn: Gama. - Lisboa, 2013-. - Vol.5 nº9 (jan./jun. 2017), p. 110-118pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/28458
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artespt_PT
dc.subjectPillet, Edgard, 1912-1996pt_PT
dc.subjectPintura muralpt_PT
dc.subjectArte vídeopt_PT
dc.subjectArte abstractapt_PT
dc.subjectTipografiapt_PT
dc.subjectCrítica e interpretaçãopt_PT
dc.subjectFrançapt_PT
dc.subjectEnsaiospt_PT
dc.titleDa tela à parede da fábrica : Edgard Pillet, a arte abstrata integrada e os equívocos na sua aceitaçãopt_PT
dc.title.alternativeFrom the canvas to the factory wall : Edgard Pillet, integrated abstract art and its misunderstandingspt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage118pt_PT
oaire.citation.startPage110pt_PT
oaire.citation.titleGamapt_PT
oaire.citation.volumeVol.5 nº9 (jan./jun. 2017)pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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