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Fashion fetish: the good for the bad
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Fashion fetish: the good for the bad, reflete o contraste e a proximidade do fetichismo com a moda. A psique humana pode ser provocada e invadida pela conexão alienista entre os significados e o materialismo da moda que, simultaneamente, excitam e complementam algo tão eminente, sedutor e proibido. Prevalecendo-se sobre diversas virtudes subjacentes ao quotidiano, enfatizadas e recontextualizadas no fetichismo, evidenciam-se inúmeros homens gélidos, impotentes e revoltados perante a feminilidade tão sensual e dominante, que exploram em segredo, incitando sensações obsessivas e submissas pela ironia de ficarem escravizados pelas suas próprias conceções de hegemonia e patriarcado.
Esteando-se desta lógica, explora-se a primigénia forma fetichista, o cross-dresser masculino. Para tal, investiga-se a sua eflorescência, com o seu desdobramento oculto em subversões sobre sexo e género. Tornando-se imprescindível a perscrutação, para o desenvolvimento deste projeto, da edificação geral de um fetichista e por seguinte do cross-dresser masculino, bem como as ramificações semióticas mais comuns, da indumentária fetichista. Pretende-se, essencialmente, explorar o contraste, o secretismo e o vazio do homem masculino em busca por conexões, identidades e refúgios de um quotidiano tenebroso, numa oculta esfera sociocultural, na qual o fetichismo funciona e prospera em clímaces eróticos e psíquicos que preenchem a realidade infernal.
Com base neste conjunto de vértices, este projeto final de mestrado, conjuga-se num look, de 8 peças-chave, sobre o cross-dresser masculino e submisso. Apresenta-se uma vertente prática sustentada na incógnita englobante das fantasias, desejos e comportamentos eróticos de um homem masculino oprimido numa vivência prudente e hegemónica de liberdade expressiva e sexual.
Em consequência, deste projeto final de mestrado resulta uma explanação e prototipagem que proporcionam um olhar despido de preconceito sobre uma subcultura extremamente estigmatizada, e consequentemente como o cross-dresser masculino reflete e dissimula a hegemonia sexual que ainda muito rege o presente, e esta por si, altera e problematiza, obstaculizando a vivência individual e social.
Fashion fetish: the good for the bad, examines the contrast and proximity between fetishism and fashion. The human psyche might be provoked and invaded by the alienist connection between the meanings and materialism of fashion that, simultaneously excite and complement something so eminent, seductive and forbidden. Prevailing over the various underlying virtues of the everyday life, emphasized and recontextualized in fetishism, are unveiled innumerable cold, helpless and revolted men by such sensual and dominant femininity, which they explore in secret, fostering obsessive and submissive sensations, for the irony of being enslaved by their own conceptions of hegemony and patriarchy. questions and subversions about sex and gender are explored, evoking the primordial efflorescence of fetishism, the cross-dresser and, consequently, its devout draw towards a female dominance. From this perspective, the primordial fetishist form, the male cross-dresser, is explored. For this, its efflorescence is investigated, with its hidden unfolding in subversions about sex and gender. The investigation of the general edification of a fetishist and, subsequently, of the male cross-dresser, as well as the most common semiotic ramifications of the fetishist clothing, is crucial for the development of this project. It is essentially intended to explore the contrast, secrecy and emptiness of the masculine man seeking connections, identities and everyday havens from a frightful everyday life, in a hidden sociocultural sphere, in which fetishism works and thrives in erotic and psychic climaxes that fulfill the hellish reality. Based on this set of points, this final master’s project converges in a look, of 8 key-pieces, about the male and submissive cross-dresser. The practical part of the project is supported on the unknown encompassing fantasies, desires and erotic behaviors of an oppressed male man of his expressive and sexual freedom, in a prudent and hegemonic living. Therefore, of this final master’s project results an explanation and prototyping that provides a look without prejudice on an extremely stigmatized subculture, and consequently on how the male cross-dresser reflects and disguises the sexual hegemony that still very much conducts the present, and this, alters and problematizes, hindering the personal and social living.
Fashion fetish: the good for the bad, examines the contrast and proximity between fetishism and fashion. The human psyche might be provoked and invaded by the alienist connection between the meanings and materialism of fashion that, simultaneously excite and complement something so eminent, seductive and forbidden. Prevailing over the various underlying virtues of the everyday life, emphasized and recontextualized in fetishism, are unveiled innumerable cold, helpless and revolted men by such sensual and dominant femininity, which they explore in secret, fostering obsessive and submissive sensations, for the irony of being enslaved by their own conceptions of hegemony and patriarchy. questions and subversions about sex and gender are explored, evoking the primordial efflorescence of fetishism, the cross-dresser and, consequently, its devout draw towards a female dominance. From this perspective, the primordial fetishist form, the male cross-dresser, is explored. For this, its efflorescence is investigated, with its hidden unfolding in subversions about sex and gender. The investigation of the general edification of a fetishist and, subsequently, of the male cross-dresser, as well as the most common semiotic ramifications of the fetishist clothing, is crucial for the development of this project. It is essentially intended to explore the contrast, secrecy and emptiness of the masculine man seeking connections, identities and everyday havens from a frightful everyday life, in a hidden sociocultural sphere, in which fetishism works and thrives in erotic and psychic climaxes that fulfill the hellish reality. Based on this set of points, this final master’s project converges in a look, of 8 key-pieces, about the male and submissive cross-dresser. The practical part of the project is supported on the unknown encompassing fantasies, desires and erotic behaviors of an oppressed male man of his expressive and sexual freedom, in a prudent and hegemonic living. Therefore, of this final master’s project results an explanation and prototyping that provides a look without prejudice on an extremely stigmatized subculture, and consequently on how the male cross-dresser reflects and disguises the sexual hegemony that still very much conducts the present, and this, alters and problematizes, hindering the personal and social living.
Descrição
Palavras-chave
Design de Moda Fetichismo Cross-Dressing Identidade de Género
Contexto Educativo
Citação
Editora
Faculdade Arquitetura, Universidade Lisboa