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Centros culturais públicos de Lisboa e de São Paulo : democratização, participação e representação
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Pesquisa dedicada aos centros culturais públicos localizados nas metrópoles de Lisboa e de São Paulo, equipamentos cujas origens, de acordo com esta tese, situam-se nos processos de democratização de Portugal e do Brasil, no último quarto do século XX. Parte da hipótese de que, nesse contexto, os centros culturais seriam um modelo de equipamento cultural heterogêneo, porém predominantemente dedicado às políticas de democratização cultural e potencialmente adequado a processos de participação social e diversas formas de representação cultural, que os aproximariam do conceito de democracia cultural. A investigação pretende contribuir para uma melhor compreensão das especificidades desses equipamentos dentro do setor público e contemporâneo da cultura, por meio de uma abordagem teórica relacionada aos estudos de cultura e às políticas culturais. A tese está estruturada em quatro capítulos e apêndices: o primeiro capítulo apresenta a metodologia; o segundo capítulo parte da literatura disponível sobre centros culturais para uma caracterização abrangente desses equipamentos, abarcando desde estudos sobre experiências fundacionais em outros territórios até estudos sobre os equipamentos portugueses e brasileiras; o terceiro capítulo apresenta a caracterização dos territórios das metrópoles de Lisboa e de São Paulo, a partir de suas políticas públicas culturais contemporâneas, dados demográficos e seus setores culturais; no quarto capítulo, são feitas as caracterizações dos centros culturais de ambos os territórios a partir da análise documental e dos resultados dos inquéritos. As considerações finais trazem a articulação entre a revisão de literatura com os dados coletados sobre os territórios e os centros culturais. Os apêndices são formados por tabelas, quadros, questionário e guia das entrevistas, que suportam a pesquisa.
Research dedicated to cultural centers located in the metropolises of Lisbon and São Paulo, whose origins according to this thesis are situated in the democratization processes of Portugal and Brazil in the last quarter of the 20th century. It starts with the hypothesis that in that context cultural centers are a heterogeneous model of cultural equipment, predominantly dedicated to policies of cultural democratization and potentially adapted to processes of social participation and diverse forms of cultural representation, which bring us closer to the concept of cultural democracy. The research aims to contribute to a better understanding of the specificities of that cultural equipment within the public and contemporary culture sector, through a theoretical approach related to studies of culture and cultural policies. The thesis is structured in four chapters and appendices: the first chapter presents the methodology of the investigation; the second chapter results of the available literature on cultural centers for a broad characterization of these equipment, ranging from studies on foundational experiences in other territories, to studies on Portuguese and Brazilian entities; the third chapter presents a characterization of the two territories of the metropolitan areas of Lisbon and São Paulo, based on their contemporary cultural public policies, demographic and cultural sectors data; the fourth chapter contains the characteristics of the cultural centers of both territories, based on the documentary analysis and of the of the surveys. The final considerations trace the articulation between the literature review and the collected data on the territories and cultural centers. The appendices are made up of tables, charts, questionnaires, and interview guides, which support the research.
Research dedicated to cultural centers located in the metropolises of Lisbon and São Paulo, whose origins according to this thesis are situated in the democratization processes of Portugal and Brazil in the last quarter of the 20th century. It starts with the hypothesis that in that context cultural centers are a heterogeneous model of cultural equipment, predominantly dedicated to policies of cultural democratization and potentially adapted to processes of social participation and diverse forms of cultural representation, which bring us closer to the concept of cultural democracy. The research aims to contribute to a better understanding of the specificities of that cultural equipment within the public and contemporary culture sector, through a theoretical approach related to studies of culture and cultural policies. The thesis is structured in four chapters and appendices: the first chapter presents the methodology of the investigation; the second chapter results of the available literature on cultural centers for a broad characterization of these equipment, ranging from studies on foundational experiences in other territories, to studies on Portuguese and Brazilian entities; the third chapter presents a characterization of the two territories of the metropolitan areas of Lisbon and São Paulo, based on their contemporary cultural public policies, demographic and cultural sectors data; the fourth chapter contains the characteristics of the cultural centers of both territories, based on the documentary analysis and of the of the surveys. The final considerations trace the articulation between the literature review and the collected data on the territories and cultural centers. The appendices are made up of tables, charts, questionnaires, and interview guides, which support the research.