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Authors
Abstract(s)
A problemática da desindustrialização da cidade e posterior modernização
descontrolada, levaram a que fossem feitas construções contranatura no
Vale de Alcântara, tornando-o num espaço fragmentado pelas
infraestruturas, impossibilitando a relação entre os seus espaços e a
restante cidade.
O aspeto pitoresco que outrora o caracterizou, - pelo serpentear da ribeira
e pelos campos de cultivo – é uma referência que serviu como mote do
pensamento utópico que informa a estratégia adotada. Assim, a relação
entre o lugar e o projeto tem como base a memória passada e a situação
presente, motivando assim as ideias, questões, intenções e objetivos deste
trabalho.
É através da revitalização e renaturalização que se procura a harmonia
entre o natural e artificial, tornando-se primordial consolidar a estrutura
verde de Lisboa, contribuindo para a ecologia e atenuação dos efeitos das
alterações climáticas. Torna-se evidente a necessidade de construir novas
frentes urbanas com densidade adequada, indo ao encontro do aumento
populacional na urbe e à consolidação dos espaços expectantes na cidade.
O parque natural urbano e criativo define-se a partir da linha de água da
antiga ribeira, com espaços de cultivo e lazer, onde a cultura, os campos
agrícolas circulares, a arte e a Land Art contribuem para a construção da
paisagem. É nas encostas que é definida a frente de parque, com
programas de usos mistos, onde a habitação é predominante.
Assim, os edifícios trabalham a fronteira entre o artefacto e o natural,
ABSTRACT: The problematic of the deindustrialization of the city and its subsequent uncontrolled modernization defines the construction of the Alcântara Valley, making it a fragmented thread of deactivated infrastructures, impossible to relate to the rest of the city. The picturesque aspect that once characterized it – defined by the serpentlike stream and the cultivated fields - is a visual reference that serves as a motto for the utopian line of thougt that composes the adopted strategy. Thus, the relationship between the place and the project is based on past memory and the present situation, subsequently motivating the ideas, questions, intentions and objectives of this work. It is through revitalization and renaturalization that harmony between the natural and the artificial is sought, making it essential to consolidate the green structure of Lisbon, contributing to the ecology and mitigation of the effects of climate change. It becomes evident the need to build new urban fronts with adequate density, meeting the population increase in the city and the consolidation of the waiting spaces in the city. The urban and creative natural park is defined from the water line of the old stream, with spaces for cultivation and leisure, where culture, circular agricultural fields, Art and Land Art contribute to the formulation of a landscape. It is on the slopes that the park front is defined, with programs of several uses, where housing is predominant. Thus, the buildings work the border between the artifact and the natural, absorbing from the bottom of the valley the relationship with water. From a direct contact with Nature springs the proposal presented here.
ABSTRACT: The problematic of the deindustrialization of the city and its subsequent uncontrolled modernization defines the construction of the Alcântara Valley, making it a fragmented thread of deactivated infrastructures, impossible to relate to the rest of the city. The picturesque aspect that once characterized it – defined by the serpentlike stream and the cultivated fields - is a visual reference that serves as a motto for the utopian line of thougt that composes the adopted strategy. Thus, the relationship between the place and the project is based on past memory and the present situation, subsequently motivating the ideas, questions, intentions and objectives of this work. It is through revitalization and renaturalization that harmony between the natural and the artificial is sought, making it essential to consolidate the green structure of Lisbon, contributing to the ecology and mitigation of the effects of climate change. It becomes evident the need to build new urban fronts with adequate density, meeting the population increase in the city and the consolidation of the waiting spaces in the city. The urban and creative natural park is defined from the water line of the old stream, with spaces for cultivation and leisure, where culture, circular agricultural fields, Art and Land Art contribute to the formulation of a landscape. It is on the slopes that the park front is defined, with programs of several uses, where housing is predominant. Thus, the buildings work the border between the artifact and the natural, absorbing from the bottom of the valley the relationship with water. From a direct contact with Nature springs the proposal presented here.
Description
Dissertação de Mestrado Integrado em Arquitetura com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção de grau de Mestre.
Keywords
Vale de Alcântara Parque urbano Cultura Natureza Nova centralidade Alcântara vailley Urban park Nature New centrality
Pedagogical Context
Citation
CÂMARA, Diogo Caires - A cultura e a cidade : construir com a natureza : habitar o Parque Natural do Vale de Alcântara. - Lisboa : FA, 2020. Dissertação de Mestrado
Publisher
Universidade de Lisboa, Faculdade de Arquitetura