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Organization, Engagement, Coloniality. Hangar: Centro de Investigações Artísticas in Lisbon.

dc.contributor.authorGarrido Castellano, Carlos
dc.date.accessioned2018-08-29T13:41:38Z
dc.date.available2018-08-29T13:41:38Z
dc.date.issued2017
dc.description.abstractThis paper analyzes the work of Hangar: Centro de Investigação Artística, the first artist-managed space in Portugal dealing with postcolonial issues and African art. Through an analysis of Hangar´s activities, I aim to critically examine how African art has been displayed and consumed in Portugal, particularly in relation to the production of the country´s contradictory postcolonial image. The emergence of Hangar and the development of long-term relations both with emerging artists born in Africa and with the local Afro-Portuguese community imply, I suggest, a new and more fruitful approach. This collaboration also provides new tools for artists and cultural agents to strengthen their agency against the forces of touristification and commoditization that Lisbon and contemporary art from Portuguese-speaking African countries are respectively experiencing. The text is followed by a short interview with Hangar´ founders and directors Bruno Leitão and Mónica de Miranda.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationGarrido Castellano, Carlos. "Organization, Engagement, Coloniality. Hangar: Centro de Investigações Artísticas in Lisbon". Field: A journal of Socially engaged art criticism, Issue 6 (2017)pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/34665
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherField: A journal of Socially engaged art criticismpt_PT
dc.relationARTISTIC CURATORSHIP AND DIFFERENCE IN THE POSTCOLONIAL LUSOPHONE AND HISPANOPHONE ATLANTIC CONTEXTS.
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.titleOrganization, Engagement, Coloniality. Hangar: Centro de Investigações Artísticas in Lisbon.pt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.awardTitleARTISTIC CURATORSHIP AND DIFFERENCE IN THE POSTCOLONIAL LUSOPHONE AND HISPANOPHONE ATLANTIC CONTEXTS.
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/5876/UID%2FELT%2F00509%2F2013/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT//SFRH%2FBPD%2F92492%2F2013/PT
oaire.citation.titleFieldpt_PT
oaire.citation.volumeIssue 6pt_PT
oaire.fundingStream5876
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isProjectOfPublication01a730cc-9ff5-4a96-bdc6-97bbc3d252b6
relation.isProjectOfPublication2a1faeb5-c15f-4192-94ce-94289ab56a6e
relation.isProjectOfPublication.latestForDiscovery2a1faeb5-c15f-4192-94ce-94289ab56a6e

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