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Domingos Caldas Barbosa: para além da Viola de Lereno
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| Introdução | 1.05 MB | Adobe PDF | ||
| Tese | 3.64 MB | Adobe PDF |
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A presente Dissertação tem por objetivo estabelecer um perfil melhor definido do poeta Domingos Caldas Barbosa através de suas obras menos investigadas, isto é, além da Viola de Lereno, sua publicação mais conhecida e estudada. A investigação centrou-se no exame acurado das obras de Caldas Barbosa, procurando-se rever pressupostos tradicionalmente estabelecidos pela crítica literária ao considerá-lo um poeta menor, visão que perdurou até nossos dias. A pesquisa apontou para um melhor conhecimento de suas produções, comumente classificadas como menos significativas, permitindo uma compreensão mais alargada do século XVIII em Portugal. Procedeu-se ao estudo do Almanak das Musas, obra organizada e publicada por Caldas Barbosa, visando conhecer um dos mais importantes conjuntos poéticos do século XVIII português, segundo os preceitos de Horácio e de Boileau. Como resultados desta investigação foi possível adicionar novos dados à reduzida e incompleta informação até há pouco tempo existente sobre o poeta e respectiva produção erudita bem como identificar poemas de sua autoria dados como anônimos; estudar a Arte Poética de Caldas Barbosa propriamente dita, com exemplos inéditos da arte do verso, praticada por seus antecessores e contemporâneos, como a redondilha ibérica, empregada desde a Idade Média; verificar o amplo espectro cultural dos conhecimentos de Caldas Barbosa, em contraponto aos versos populares publicados na Viola de Lereno bem como obter-se dados relevantes sobre a Academia de Belas. Deste estudo foi possível extrair uma conceptualização de maior abrangência sobre Caldas Barbosa e sua obra para além da Viola de Lereno, procurando inscrevê-lo como poeta de destaque na História da Literatura.
Abstract: The goal of this thesis is to establish a clearer profile of the poet Domingos Caldas Barbosa through his less investigated works, other than Viola de Lereno, his most well known and studied publication. Research focused on a thorough analysis of Caldas Barbosa’s works, trying to review prejudices traditionally held by literary critic considering him a minor poet, a vision maintained until present times. Research also targeted a better knowledge of his works generally classified as less significant, conducive to a wider understanding of the 18th century in Portugal. The objective of an analysis of the Almanak das Musas, a work organized and published by Caldas Barbosa which constitutes the most important Portuguese poetical corpus of the 18th century, was to acquire knowledge about its poets and their respective works according to the principles of Horace and Boileau. As a result of this research, it was possible to: add new data to the scarce and incomplete information existing on Caldas Barbosa until recently; get acquainted with the erudite poetical production of Caldas Barbosa which permitted poem’s of his, considered anonimous, to be identified; carry out an analysis of Caldas Barbosa’s Arte Poética as such, with unprecedented exemples of the art of verse, practiced by his predecessors and contemporaneans, like the “redondilha ibérica”, used since the Middle Ages; to confirm the wide scope of cultural erudition of Caldas Barbosa, as opposed to the folk-inspired verses published in the Viola de Lereno as well as to obtain relevant data on the Academia de Belas Letras. From these conclusions could be extracted a more comprehensive conceptualization of Caldas Barbosa and his oeuvre other than Viola de Lereno, attempting to establish him as a distinguished poet in the History of Literature.
Abstract: The goal of this thesis is to establish a clearer profile of the poet Domingos Caldas Barbosa through his less investigated works, other than Viola de Lereno, his most well known and studied publication. Research focused on a thorough analysis of Caldas Barbosa’s works, trying to review prejudices traditionally held by literary critic considering him a minor poet, a vision maintained until present times. Research also targeted a better knowledge of his works generally classified as less significant, conducive to a wider understanding of the 18th century in Portugal. The objective of an analysis of the Almanak das Musas, a work organized and published by Caldas Barbosa which constitutes the most important Portuguese poetical corpus of the 18th century, was to acquire knowledge about its poets and their respective works according to the principles of Horace and Boileau. As a result of this research, it was possible to: add new data to the scarce and incomplete information existing on Caldas Barbosa until recently; get acquainted with the erudite poetical production of Caldas Barbosa which permitted poem’s of his, considered anonimous, to be identified; carry out an analysis of Caldas Barbosa’s Arte Poética as such, with unprecedented exemples of the art of verse, practiced by his predecessors and contemporaneans, like the “redondilha ibérica”, used since the Middle Ages; to confirm the wide scope of cultural erudition of Caldas Barbosa, as opposed to the folk-inspired verses published in the Viola de Lereno as well as to obtain relevant data on the Academia de Belas Letras. From these conclusions could be extracted a more comprehensive conceptualization of Caldas Barbosa and his oeuvre other than Viola de Lereno, attempting to establish him as a distinguished poet in the History of Literature.
Descrição
Tese de mestrado, Estudos Românicos, Universidade de Lisboa, Faculdade de Letras, 2011
Palavras-chave
Barbosa, Domingos Caldas, 1738-1800 - Crítica e interpretação Literatura brasileira - séc.18 - História e crítica Teses de mestrado - 2011