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Resumo(s)
Esta investigação explora o potencial da moda experimental como motor de inovação no design de vestuário, centrando-se na utilização de materiais não convencionais, como peças automóveis e resíduos industriais. O estudo decorre no contexto do estágio na marca Selva, conhecida por explorar práticas artísticas e técnicas alternativas. Perante a necessidade da moda de se reinventar num mundo globalizado e neo-capitalista, defende-se que a inovação pode surgir da manipulação criativa de materiais e da fusão entre artesanato e arte. A pesquisa visa compreender de que forma práticas experimentais e o uso de resíduos podem expandir os limites criativos e comerciais, desafiando convenções tradicionais. A metodologia combina revisão teórica, observação participativa e entrevistas, aliadas à experimentação prática com técnicas como a termomoldagem e o upcycling têxtil e industrial. Os resultados incluem o desenvolvimento de peças que conciliam estética, funcionalidade e sustentabilidade, validadas através de testes de usabilidade e desfiles. As técnicas exploradas foram sistematizadas numa tabela, criando um arquivo de métodos aplicáveis à criação de peças avant-garde com base em resíduos e materiais experimentais, com foco na viabilidade comercial. A investigação propõe, assim, caminhos alternativos e sustentáveis para o design de moda através da experimentação e da revalorização de materiais rejeitados.
This research explores the potential of experimental fashion as a driver of innovation in garment design, focusing on the use of unconventional materials such as car parts and industrial waste. The study is grounded in a professional internship at the brand Selva, known for its artistic approach and alternative techniques. In response to the fashion industry’s urgent need for reinvention within a globalized and neo-capitalist context, it argues that innovation can emerge through the creative manipulation of materials and the intersection of craft and artistic practices. The project investigates how experimental approaches and the use of waste materials can expand both creative and commercial boundaries, challenging traditional concepts of clothing. The methodology combines literature review, participatory observation, and interviews, alongside hands-on experimentation with techniques such as thermoforming and textile, industrial, and accessories upcycling. The results include the development of garments that balance aesthetics, functionality, and sustainability, tested through user fittings and runway presentations. The experimental techniques explored during the internship were compiled into a table format, creating a method archive for designing avant-garde pieces using waste and alternative materials. Ultimately, the research proposes new, sustainable pathways for fashion design through experimentation and the revaluation of discarded resources.
This research explores the potential of experimental fashion as a driver of innovation in garment design, focusing on the use of unconventional materials such as car parts and industrial waste. The study is grounded in a professional internship at the brand Selva, known for its artistic approach and alternative techniques. In response to the fashion industry’s urgent need for reinvention within a globalized and neo-capitalist context, it argues that innovation can emerge through the creative manipulation of materials and the intersection of craft and artistic practices. The project investigates how experimental approaches and the use of waste materials can expand both creative and commercial boundaries, challenging traditional concepts of clothing. The methodology combines literature review, participatory observation, and interviews, alongside hands-on experimentation with techniques such as thermoforming and textile, industrial, and accessories upcycling. The results include the development of garments that balance aesthetics, functionality, and sustainability, tested through user fittings and runway presentations. The experimental techniques explored during the internship were compiled into a table format, creating a method archive for designing avant-garde pieces using waste and alternative materials. Ultimately, the research proposes new, sustainable pathways for fashion design through experimentation and the revaluation of discarded resources.
Descrição
Relatório de estágio académico de natureza profissional, Mestrado de Design de Moda, 2025, Universidade de Lisboa, Faculdade de Arquitetura
Palavras-chave
experimental fashion avant-garde design textile innovation material manipulation waste reuse fashion upcycling waste-led design moda experimental moda avant-garde inovação têxtil manipulação de materiais reutilização de resíduos upcycling design orientado pelo desperdício