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Abstract(s)
A modelagem é parte integrante do processo produtivo na indústria da moda, na qual permite diferentes construções e adaptações para o desenvolvimento de vestuário. A investigação tem como principal objetivo a quebra de paradigmas sobre o processo criativo em design de moda e busca avaliar, testar e determinar alternativas criativas que incluem a modelagem bidimensional como recurso criativo para aplicação na construção de roupas. Apresenta-se na revisão da literatura uma abordagem teórica das áreas do Design de Moda e da Modelagem, sendo que a primeira relaciona criatividade, processo criativo e metodologias convencionais de criação. A segunda busca apresentar conceitos e métodos de modelagem, além de salientar sua importância e potencial criativo nas práticas do design de moda. De abordagem qualitativa, coleta-se dados por meio de estudo de casos de designers de moda, a fim de identificar os tipos de métodos adotados no processo de criação e compreender se existe uma relação de troca entre criação-modelagem. Nesta perspectiva, é proposto uma prática experimental, que apresenta uma análise de diferentes experimentos, resultando em potenciais ferramentas criativas nas quais visam despertar o interesse de alunos e profissionais em aplicá-las no seu próprio processo criativo, simplificando e unificando as linguagens entre o pensar, sentir e fazer.
Patternmaking is an integral part of the production process in the fashion industry, in which it allows different constructions and adaptations for the development of clothing. The main objective of the investigation is to break paradigms about the creative process in fashion design and seek to evaluate, test and determine creative alternatives that include two-dimensional patternmaking as a creative resource for application in clothing construction. A theoretical approach to the areas of Fashion Design and Modeling is presented in the literature review, the first relating creativity, creative process and conventional creation methodologies. The second seeks to present patternmaking concepts and methods, in addition to highlighting its importance and creative potential in fashion design practices. From a qualitative approach, data is collected through case studies of fashion designers, in order to identify the types of methods adopted in the creation process and to understand whether there is an exchange relationship between creation-patternmaking. In this perspective, an experimental practice is proposed, which presents an analysis of different experiments, resulting in potential creative tools in which they aim to arouse the interest of students and professionals in applying them in their own creative process, simplifying and unifying the languages between thinking , feel and do.
Patternmaking is an integral part of the production process in the fashion industry, in which it allows different constructions and adaptations for the development of clothing. The main objective of the investigation is to break paradigms about the creative process in fashion design and seek to evaluate, test and determine creative alternatives that include two-dimensional patternmaking as a creative resource for application in clothing construction. A theoretical approach to the areas of Fashion Design and Modeling is presented in the literature review, the first relating creativity, creative process and conventional creation methodologies. The second seeks to present patternmaking concepts and methods, in addition to highlighting its importance and creative potential in fashion design practices. From a qualitative approach, data is collected through case studies of fashion designers, in order to identify the types of methods adopted in the creation process and to understand whether there is an exchange relationship between creation-patternmaking. In this perspective, an experimental practice is proposed, which presents an analysis of different experiments, resulting in potential creative tools in which they aim to arouse the interest of students and professionals in applying them in their own creative process, simplifying and unifying the languages between thinking , feel and do.
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Keywords
processo criativo em design de moda modelagem bidimensional integração de processos ferramenta criativa metodologia aplicada ao processo criativo
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Faculdade Arquitetura, Universidade Lisboa