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Authors
Advisor(s)
Abstract(s)
Este estudo pretende salientar a presença de temas romanos, como o de Túlia Menor, e suas fontes, como Tito Lívio e Ovídio, na cultura portuguesa de Oitocentos, nomeadamente na pintura. Através das obras que Columbano Bordalo Pinheiro e Veloso Salgado apresentaram ao concurso para Professor da Cadeira de Pintura Histórica da Academia Real de Belas-Artes de Lisboa, em 1897, comprova-se que os temas
romanos faziam parte também das criações artístico-culturais do Portugal finissecular.
Th is essay aims to highlight the presence of Roman themes, such as that of Tullia Minor, and its sources, such as Livy and Ovid, in 19th century Portuguese culture, namely in painting. rough the works that Columbano Bordalo Pinheiro and Veloso Salgado presented within their application to the position of Professor of Historical Painting at the Royal Academy of Fine Arts of Lisbon, in 1897, it is proven that Roman themes were also part of the artistic and cultural creations of late 19th century Portugal.
Th is essay aims to highlight the presence of Roman themes, such as that of Tullia Minor, and its sources, such as Livy and Ovid, in 19th century Portuguese culture, namely in painting. rough the works that Columbano Bordalo Pinheiro and Veloso Salgado presented within their application to the position of Professor of Historical Painting at the Royal Academy of Fine Arts of Lisbon, in 1897, it is proven that Roman themes were also part of the artistic and cultural creations of late 19th century Portugal.
Description
Keywords
Túlia Menor Tito Lívio Ovídio Pintura histórica Columbano Bordalo Pinheiro Veloso Salgado Tullia Minor Livy Ovid Historical painting
Pedagogical Context
Citation
Rodrigues, N. S. (2023), «Tullia Ferox na Pintura Portuguesa de Oitocentos», in N. S. Rodrigues & A. Rodrigues coords., Identidade Romana e Contemporaneidade, Coimbra, Imprensa da Universidade de Coimbra, 375-406.
Publisher
Imprensa da Universidade de Coimbra
