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Merce Cunningham: the other way around

dc.contributor.authorSilva, Ana Luisa Valdeira da
dc.contributor.authorPalmeirim, Madalena Manzoni
dc.date.accessioned2013-03-06T09:14:03Z
dc.date.available2013-03-06T09:14:03Z
dc.date.issued2009
dc.description.abstractTime killed Merce. Merce’s pace fitted time. Working with a stopwatch to control the duration of gestures and movements in space, Cunningham changed the traditional way of choreography. The negation of narrative, expressiveness, synchrony, single perspective, logic or unit was a defiance to all preceding concepts in dance. This was also a way of freeing dance from the restricted boundaries and limitations of movement in which dance had been involved. Breaking all the patterns of physical co-ordination, he arrived at an autonomous form that involved infinite variations of actions. Cunningham let gestures be themselves.por
dc.description.sponsorshipFundação para a Ciência e a Tecnologiapor
dc.identifier.citationCine Qua Non, nº 1, 2009, p. 76-80por
dc.identifier.issn1647-4198
dc.identifier.urihttp://hdl.handle.net/10451/7892
dc.language.isootherpor
dc.publisherCentro de Estudos Anglísticos da Universidade de Lisboapor
dc.relation.publisherversionhttp://www.cinequanon.pt/images/stories/_site/pdfs/cinequanon_01.pdfpor
dc.subjectCunningham, Merce, 1919-2009 - Crítica e interpretaçãopor
dc.titleMerce Cunningham: the other way aroundpor
dc.typejournal article
dspace.entity.typePublication
person.familyNameValdeira
person.familyNamePalmeirim
person.givenNameAna Luísa
person.givenNameMadalena
person.identifier.orcid0000-0002-2539-7935
person.identifier.orcid0000-0002-6404-5190
rcaap.rightsopenAccesspor
rcaap.typearticlepor
relation.isAuthorOfPublicationa1d4719b-cf50-4989-8a1b-f8d2992ef4fb
relation.isAuthorOfPublicationbae0a88e-5c92-4a00-93bb-ad159c647a92
relation.isAuthorOfPublication.latestForDiscoverybae0a88e-5c92-4a00-93bb-ad159c647a92

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