CEAUL/ULICES - CQN - Volume 1 - 2009
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- Merce Cunningham: the other way aroundPublication . Silva, Ana Luisa Valdeira da; Palmeirim, Madalena ManzoniTime killed Merce. Merce’s pace fitted time. Working with a stopwatch to control the duration of gestures and movements in space, Cunningham changed the traditional way of choreography. The negation of narrative, expressiveness, synchrony, single perspective, logic or unit was a defiance to all preceding concepts in dance. This was also a way of freeing dance from the restricted boundaries and limitations of movement in which dance had been involved. Breaking all the patterns of physical co-ordination, he arrived at an autonomous form that involved infinite variations of actions. Cunningham let gestures be themselves.
- O 2º início [Editorial]Publication . Silva, Ana Luisa Valdeira da
- Fotografar na escrita o enigma do realPublication . Almeida, Diana Vieira de Campos, 1972-Assumindo a herança da estética modernista, Welty confere à visão fotográfica” capacidade revelatória, para além da superfície que o olhar desatento do quotidiano tende a banalizar e dotar de opacidade. O processo fotográfico surge explicitamente figurado na escrita de Welty, com especial relevo no ciclo de contos The Golden Apples (1949), onde a repetida descrição de “molduras” enquadrando o olhar das personagens adquire conotações autoreflexivas e evoca ainda o universo cinematográfico.