Daydream Nation : Luz, Espaço e Capitalismo

Ferreira, Sandra Maria Zuzarte Reis da Silva

Publication

Daydream Nation : Luz, Espaço e Capitalismo

2019-06-18Master thesis

datacite.subject.fos	Arte Multimédia	pt_PT
datacite.subject.fos	Audiovisuais	pt_PT
dc.contributor.advisor	Sousa Dias, António
dc.contributor.author	Ferreira, Sandra Maria Zuzarte Reis da Silva
dc.date.accessioned	2019-09-21T14:00:57Z
dc.date.available	2019-09-21T14:00:57Z
dc.date.issued	2019-06-18
dc.date.submitted	2019-09-21
dc.description.abstract	Daydream Nation the project here presented experiments the deconstruction of a process of stereoscopic visualization, proposing a reflection on the gaze mediated by an optical apparatus, subject to a “scopic regime”. In a world flooded with light, this work intends the immersion in small perceptions, within the delicate limits of visuality. Daydream Nation takes the title of the musical album from the New York’s Band Sonic Youth, which in 1988 played through sonic explosions the capitalist dystopia of the digital age, with the reproduction of a Gerhard Richter painting on the cover. To look at this image reproduced in a CD, is to stand “in front of time” where echo’s; the vanitas La Madeleine aux deux Flammes de Georges de La Tour, the countless candles lit by the caravagists of Utrecht Utrecht (Gerrit van Honthorst, Hendrick ter Bruggen, Dirck van Barburen) or the confrontation of light and darkness in Caravaggio's tenebrism. The idea of survival got relevance, the “surviving image” or “pathos-image”, Aby Warburg's ghost story as we find reflected in Georges Didi-Huberman's work. This work manifests itself in the form of as a phantasmatic vanitas, which unfolds an anaglyphic stereoscopy image, making appear the vision of a simultaneously lit and unlit candle, a paradox, as the one suggested to Schrödinger by the superposition states of the photon. Democritus of Abdera, the pre-Socratic philosopher believed that human vision depended on projections constantly emanated by bodies, responsible for the transmission of sensations, these emanations where called eidolon, later in latin simulacra. It is precisely a simulacrum that Daydream Nation elaborates. To this end, an multimedia audiovisual installation was elaborated based on an anaglyphic digital photograph that is projected with an HD projector, creating a fantasmatic environment and allowing the viewer to enjoy the "three-dimensional" image of this paradoxical object, the anaglyph candle, simultaneously lit and unlit	pt_PT
dc.identifier.tid	202268454	pt_PT
dc.identifier.uri	http://hdl.handle.net/10451/39582
dc.language.iso	por	pt_PT
dc.subject	Luz	pt_PT
dc.subject	Sobrevivência	pt_PT
dc.subject	Espaço	pt_PT
dc.subject	Simulacro	pt_PT
dc.subject	Vanitas	pt_PT
dc.subject	Anáglifo	pt_PT
dc.subject	Arte multimédia	pt_PT
dc.title	Daydream Nation : Luz, Espaço e Capitalismo	pt_PT
dc.type	master thesis
dspace.entity.type	Publication
rcaap.rights	openAccess	pt_PT
rcaap.type	masterThesis	pt_PT
thesis.degree.name	Tese de mestrado, Arte Multimédia. Especialização em Audiovisuais, Universidade de Lisboa, Faculdade de Belas Artes, 2019	pt_PT