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Roda viva: ditadura, festivais, canções de protesto e repressão na MPB
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Esta dissertação busca investigar a fértil produção cultural, principalmente no campo musical, ocorrida no Brasil entre 1958 e 1968, com o surgimento de três movimentos que revolucionaram a música do país; a bossa nova, a MPB (Música Popular Brasileira) e o tropicalismo. Neste período de dez anos, floresceram vanguardas teatrais, literárias, plásticas, a arte engajada e o Cinema Novo, em um contexto que passa pela euforia do fim dos anos 1950, o golpe militar de 1964 e o recrudescimento da repressão e da censura do regime ditatorial após a promulgação do Ato Institucional Nº 5 (AI-5), que, na seara artística, culminou com a prisão e o exílio de Caetano Veloso e Gilberto Gil. O trabalho visa analisar como essa ebulição cultural dialoga com aquele momento histórico do Brasil, principalmente por meio das canções de protesto e dos festivais.
This dissertation aims to investigate the fertile cultural production, mainly in the musical field, which took place in Brazil between 1958 and 1968, with the emergence of three movements that revolutionized the country’s music; bossa nova, MPB (Brazilian Popular Music) and tropicalismo. In this period of ten years, engaged theatrical, literary and visual arts vanguards, and also Cinema Novo, flourished, in a context that goes through the euphoria of the late 1950s, the military coup of 1964 and the resurgence of repression and censorship of the dictatorial regime after the promulgation of Institutional Act Nº 5 (AI-5), which, in the artistic field, culminated in the arrest and exile of Caetano Veloso and Gilberto Gil. The work seeks to analyze how this cultural ebullience dialogues with that historical moment of Brazil, mainly through protest songs and festivals.
This dissertation aims to investigate the fertile cultural production, mainly in the musical field, which took place in Brazil between 1958 and 1968, with the emergence of three movements that revolutionized the country’s music; bossa nova, MPB (Brazilian Popular Music) and tropicalismo. In this period of ten years, engaged theatrical, literary and visual arts vanguards, and also Cinema Novo, flourished, in a context that goes through the euphoria of the late 1950s, the military coup of 1964 and the resurgence of repression and censorship of the dictatorial regime after the promulgation of Institutional Act Nº 5 (AI-5), which, in the artistic field, culminated in the arrest and exile of Caetano Veloso and Gilberto Gil. The work seeks to analyze how this cultural ebullience dialogues with that historical moment of Brazil, mainly through protest songs and festivals.
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Música popular - Brasil - séc.20 Bossa nova - História e crítica Tropicalismo Brasil - História - séc.20 Brasil - Civilização - séc.20 Teses de mestrado - 2022