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Paulo Nozolino : a fotografia em ruína

2016-12-07Dissertação de mestrado Acesso aberto
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datacite.subject.fosCrítica, curadoria e teorias da artept_PT
dc.contributor.advisorPereira, José Carlos, 1970-
dc.contributor.authorGonçalves, David Paulo Martins, 1990-
dc.date.accessioned2017-08-03T17:14:56Z
dc.date.available2017-08-03T17:14:56Z
dc.date.issued2016-12-07
dc.date.submitted2017-08-03
dc.description.abstractThe practice of photography creates a dialogue as an object of social analysis, beyond that of it's technical and formal specificities. An image holds a responsability, one that should be taken as an element of study to understand the History, seen as an efficitient form of reflection on the fate of Man and society. Paulo Nozolino's photographs tell personal stories and recall others lost in the course of history, in the search for personal truth, through a solitary praxis, marked by monochromatic tones. In this way, it becomes important to understand his work as an irreproachable mark on the history of portugeuse photography, one to be considered as a work of referencept_PT
dc.identifier.tid201553171
dc.identifier.urihttp://hdl.handle.net/10451/28559
dc.language.isoporpt_PT
dc.subjectNozolino, Paulo, 1955-pt_PT
dc.subjectBenjamin, Walter, 1892-1940pt_PT
dc.subjectNietzsche, Friedrich, 1844-1900pt_PT
dc.subjectHeidegger, Martin, 1889-1976pt_PT
dc.subjectTarkovsky, Andrei, 1932-1986pt_PT
dc.subjectTarr, Béla, 1955-pt_PT
dc.subjectAl Berto, pseud., 1948-1997pt_PT
dc.subjectNunes, Ruipt_PT
dc.subjectBaião, Ruipt_PT
dc.subjectFotografiapt_PT
dc.subjectRuínaspt_PT
dc.subjectFragmentospt_PT
dc.subjectMortept_PT
dc.subjectPreto e brancopt_PT
dc.titlePaulo Nozolino : a fotografia em ruínapt_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameTese de mestrado, Crítica, curadoria e teorias da arte, Universidade de Lisboa, Faculdade d eBelas Artes, 2016pt_PT

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