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The modernist visual arts, from their most varied experiences and aspects, opened the way to the poetic reflection of increasingly human and personal issues. According to this perspective, this work aims to understand the elaboration of a pictorial poetics, which has as its central focus reflections on childhood memories.The research intends to make visible and record what childhood memories will become, through education through art, a movement of art education that favors free expression.To support the analysis the work is based on a bibliographical research, approaching theoretical and artistic references that discuss the relationship between art and memory, highlighting works by authors such as: Herbert Read, Viktor Lowenfeld, Gaston Bachelard, Gilles Deleuze, Ivan Izquierdo , Ecléa Bosi, Wassily Kandinsky, among others. Such concepts converged with practice through the application of the “Sabiá” experience art project, carried out during the Covid-19 pandemic, with children from Portugal, Brazil and the Dominican Republic. In this way the research proposes to reveal aspects of the artistic vision that occur during the creation process, establishing a relationship between theoretical-based thoughts and analyzes and artistic practice, highlighting childhood memory and free expression as the main raw materials of art. investigated poetics
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Memória Infância Arte e ensino Educação Projeto Sabiá Expressão livre
