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dc.contributor.advisorAlmeida, Victor, 1963-
dc.contributor.advisorVaranda, Fernando
dc.contributor.authorSilveira, Rui Manuel da Cal, 1983-
dc.date.accessioned2013-07-24T09:37:12Z
dc.date.available2013-07-24T09:37:12Z
dc.date.issued2013
dc.descriptionTese de mestrado, Design de Comunicação e Novos Media, Universidade de Lisboa, Faculdade de Belas Artes, 2013por
dc.descriptionContém: Ver antes de ler. - HDV 1920 x 1080, para ser visto em computador, apenas consultável na Biblioteca da FBAULpor
dc.description.abstractThis dissertation departed from the process of making a movie whose main character is a place. The geographical area chosen for the role was Oriente, in Lisbon. The making-of the movie is described in two dialogues and a monologue between two symbolic inhabitants of the place, embodying the role of the inquisitive spectator and the explaining director. The literary and cinematographic references that followed the movie making are the object of the chapter that frames the subject matter of the dialogues. It is common to associate the idea of “drama” to human actors; this study explores with few means how one can suggest drama, not by focusing on people’s actions but by the manner the place is filmedpor
dc.identifier.urihttp://hdl.handle.net/10451/8857
dc.language.isoporpor
dc.peerreviewedyespor
dc.subjectCinematografiapor
dc.subjectLugarespor
dc.subjectSitiospor
dc.subjectProtagonistaspor
dc.titleOriente, Lisboapor
dc.title.alternativeo sítio como protagonista num filmepor
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspor
rcaap.typemasterThesispor

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