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O belo ideal e a teoria da mimese na história da escultura : o belo natural e o belo ideal na escultura

datacite.subject.fosEscultura (Especialização em Estudos de Escultura)pt_PT
dc.contributor.advisorPereira, José Carlos, 1970-
dc.contributor.authorMatos, Sérgio J. F. 1980-
dc.date.accessioned2018-01-11T19:11:28Z
dc.date.available2018-01-11T19:11:28Z
dc.date.issued2017-03-15
dc.date.submitted2018-01-11
dc.description.abstractThis Dissertation seeks to respond to the problem of Idealization in the History of Sculpture, focusing on the Classical, Contemporary and Modern notion of mimesis, understood as imitation of nature, as imitation of the Idea and as imitation of artistic paradigms present in works of Art of Classical Antiquity... We postulate an analysis and approach of focus and of philosophical-sculptural nature, for a matter of capital importance, seeking to understand the cyclicity that guided the various aesthetic movements of intersignification of the Human Civilization, in relation to the concept of Ideal Beauty as Resemblance, and of Ideal Beauty as Sublime, according to a vision of mimesis as copy, and of mimesis as creationpt_PT
dc.identifier.tid201649152pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/30427
dc.language.isoporpt_PT
dc.subjectEsculturapt_PT
dc.subjectBelo (Estética)pt_PT
dc.subjectIdeal (Filosofia)pt_PT
dc.subjectImitação (Estética)pt_PT
dc.subjectSublimept_PT
dc.subjectTeorias da artept_PT
dc.titleO belo ideal e a teoria da mimese na história da escultura : o belo natural e o belo ideal na esculturapt_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameTese de mestrado, Escultura (Especialização em Estudos de Escultura), Universidade de Lisboa, Faculdade de Belas Artes, 2017pt_PT

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