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O belo ideal e a teoria da mimese na história da escultura : o belo natural e o belo ideal na escultura
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Orientador(es)
Resumo(s)
This Dissertation seeks to respond to the problem of Idealization in the History of
Sculpture, focusing on the Classical, Contemporary and Modern notion of mimesis,
understood as imitation of nature, as imitation of the Idea and as imitation of artistic
paradigms present in works of Art of Classical Antiquity...
We postulate an analysis and approach of focus and of philosophical-sculptural nature, for
a matter of capital importance, seeking to understand the cyclicity that guided the various
aesthetic movements of intersignification of the Human Civilization, in relation to the
concept of Ideal Beauty as Resemblance, and of Ideal Beauty as Sublime, according to a
vision of mimesis as copy, and of mimesis as creation
Descrição
Palavras-chave
Escultura Belo (Estética) Ideal (Filosofia) Imitação (Estética) Sublime Teorias da arte