Publicação
Objeto invisível : reflexões sobre pintura
| datacite.subject.fos | Humanidades::Artes | pt_PT |
| dc.contributor.advisor | Fernandes, Ana Rodrigues da Mata | |
| dc.contributor.author | Fonseca, Pedro Barassi Alves da | |
| dc.date.accessioned | 2022-01-17T22:37:16Z | |
| dc.date.available | 2022-01-17T22:37:16Z | |
| dc.date.issued | 2021-10-28 | |
| dc.description.abstract | This project discusses the conceptual derivations that occur from the investigative path of painting, as a means of establishing a theoretical bias that takes into account the procedural nuances included in the space between the artist's intention and the conception of the work. During the master's degree in painting, the atelier of the Faculty of Fine Arts of the University of Lisbon served as a laboratory for immersion in an experimental process; resulted in a group of works produced under the light of interests that will be developed based on the opposition of concepts, which permeate areas of knowledge that are decisive for the identification of problems related to the subject of painting, in the contemporary art scene. Based on reflections on the location of an object in an ontological context, what are the conditions that favor the recognition of the symbolic force projected by the subject on the object of desire? How can the artist take advantage of the displacement of the object from its conventional function in order to induce the manifestation of a feeling of sinister character in the viewer? How can the interpretation of signs favor the understanding of a logical behavior, allowing the assimilation of similar aspects in different areas of production? What are the practical resources that account for suggestive effects, which attest to the maintenance of a state of uncertainty along a proposed narrative path? The circumstances surrounding the art scene undergo transformations that imply the need for a constant renewal of the perspectives of exploration of the object in the pictorial space. How do the relations between the artist and the place he occupies in space-time take place, with regard to the recognition of motives that drive experimentation? What were the means found to circumvent expectations and what is the importance of sustaining a posture of surveillance? How can the unpredictable consequences of the process become a determining part of the content in the decoding of a plastic message? | pt_PT |
| dc.identifier.tid | 202781372 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/50859 | |
| dc.language.iso | por | pt_PT |
| dc.subject | Pintura | pt_PT |
| dc.subject | Objecto | pt_PT |
| dc.subject | Desejo | pt_PT |
| dc.subject | Semiótica e arte | pt_PT |
| dc.subject | Invisível | pt_PT |
| dc.subject | Acidente - Na arte | pt_PT |
| dc.subject | Acção | pt_PT |
| dc.subject | Justaposição - Na arte | pt_PT |
| dc.title | Objeto invisível : reflexões sobre pintura | pt_PT |
| dc.type | master thesis | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | masterThesis | pt_PT |
| thesis.degree.name | Dissertação de Mestrado em Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2021 | pt_PT |