Publicação
Um abraço que nos derruba
| datacite.subject.fos | Humanidades::Artes | pt_PT |
| dc.contributor.advisor | Jacinto, João Manuel da Rocha | |
| dc.contributor.author | Anjos, Madalena do Vale de Castro | |
| dc.date.accessioned | 2022-09-19T12:26:49Z | |
| dc.date.available | 2022-09-19T12:26:49Z | |
| dc.date.issued | 2022-05-27 | |
| dc.description.abstract | The project work Um abraço que nos derruba (A hug that knocks us out), is divided into three parts. The first one – Olhar (Gaze) - treats the availability and curiosity inherent in the artist's gaze as a primordial and necessary condition for the creative act. A connection is made between the gaze and the ideias of love, attachment and secular faith (with Wim Wenders, Wolfgang Tillmans and Martin Hägglund). The second part - "A Imagem Pop" (The Pop Image) - treats the way how the pop image, being a medium for the painting process, can be used to simultaneously reflect a comic and tragic symptom. Based on artist such as Roy Lichtenstein, Michel Majerus, Takashi Murakami, I reflect on how the pop image, usually associated with advertising, optimism and the mass culture, can, in painting, represent the opposite of that - a negativism, a dramatic sense or a criticism on contemporary issues. A dichotomy is made between the possibility of understanding art and the aesthetic experience as a "knock-out" of the viewer (with Byung Chul-Han), or as a "hug" that empowers him (with Jeff Koons). Finally, the third part - "Branches of work and considerations about their processes" - is the one in which I approach the practical work more directly, presenting images of the works and work processes. | pt_PT |
| dc.identifier.tid | 203045149 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/54496 | |
| dc.language.iso | por | pt_PT |
| dc.subject | Olhar | pt_PT |
| dc.subject | Conexão | pt_PT |
| dc.subject | Pintura | pt_PT |
| dc.subject | Imagem | pt_PT |
| dc.subject | Arte pop | pt_PT |
| dc.title | Um abraço que nos derruba | pt_PT |
| dc.type | master thesis | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | masterThesis | pt_PT |
| thesis.degree.name | Dissertação de Mestrado em Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2022 | pt_PT |
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