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Para o projeto final de mestrado optou-se por um projeto “em continuidade” com o trabalho realizado em Projeto Integrado III - reabilitação e expansão do Museu Militar de Lisboa (MML), em Santa Apolónia. Através de uma leitura do objeto e do seu contexto, presencial e documental, verificou-se que o MML necessitava de uma reestruturação no seu percurso museológico; na forma como a luz natural iluminava as salas, que afetava o percurso expositivo; e no estacionamento que envolvia o edifício, que impedia que este se tornasse um local de convívio urbano. Assim, organizou-se um programa que pudesse reconsiderar estes obstáculos através do desenvolvimento de uma proposta para a reabilitação do espaço envolvente. Procurou-se aplicar o princípio metodológico de Boito (1883) – a atitude da “essencialização formal” e da distinção entre o património edificado passado e a contemporaneidade da nova solução, que deverá ter uma “linguagem plástica da sua época”, na defesa de “não enganar a história”. De modo a contribuir para a Memória Coletiva no MML, estabeleceu-se um programa tendo em conta o espaço histórico, museológico e comunitário envolvente. Interiormente propôs-se um espaço com especial enfoque no modo como a luz, a materialidade e a arquitetura podem compor um espaço expositivo e de estar aprazível.
For this final master’s project, a "continuity" project was chosen, building on the work done in Integrated Project III – rehabilitation and expansion of the Lisbon Military Museum (MML), in Santa Apolónia. Through an in-depth analysis of the museum and its context, both on-site and through documentation, it was determined that the MML required restructuring in its museological layout; adjustments to the way natural light illuminated the rooms, which affected the exhibition flow; and improvements to the surrounding parking area, which prevented it from becoming a vibrant urban gathering space. Therefore, a program was designed to address these obstacles by developing a proposal to rehabilitate the surrounding space. The methodological principle of Boito (1883) was applied – the attitude of "formal specialization" and the distinction between the built heritage of the past and the contemporaneity of the new solution, which should exhibit a design language of its era, defending the principle of "not deceiving history." To contribute to the Collective Memory within the MML, a program was established that takes into account the surrounding historical, museological, and community spaces. Internally, a space was proposed with a special focus on how light, materiality, and architecture can create a pleasant exhibition and living environment.
For this final master’s project, a "continuity" project was chosen, building on the work done in Integrated Project III – rehabilitation and expansion of the Lisbon Military Museum (MML), in Santa Apolónia. Through an in-depth analysis of the museum and its context, both on-site and through documentation, it was determined that the MML required restructuring in its museological layout; adjustments to the way natural light illuminated the rooms, which affected the exhibition flow; and improvements to the surrounding parking area, which prevented it from becoming a vibrant urban gathering space. Therefore, a program was designed to address these obstacles by developing a proposal to rehabilitate the surrounding space. The methodological principle of Boito (1883) was applied – the attitude of "formal specialization" and the distinction between the built heritage of the past and the contemporaneity of the new solution, which should exhibit a design language of its era, defending the principle of "not deceiving history." To contribute to the Collective Memory within the MML, a program was established that takes into account the surrounding historical, museological, and community spaces. Internally, a space was proposed with a special focus on how light, materiality, and architecture can create a pleasant exhibition and living environment.
Descrição
Dissertação de Mestrado em Arquitetura, especialização em Interiores e Reabilitação do Edificado, 2024, Universidade de Lisboa, Faculdade de Arquitetura
Palavras-chave
Rehabilitation Museography Light-Material Ambiances Reabilitação Museografia Luz-Matéria Ambiências