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A imagem projectante : impulso, travessia e rasto

2022-07-11Doctoral thesis Restricted access
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datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorMacedo, Susana de Sousa Dias de
dc.contributor.authorFerreira, Helena
dc.date.accessioned2022-09-22T16:46:22Z
dc.date.available2022-09-22T16:46:22Z
dc.date.issued2022-07-11
dc.description.abstractStemming from my artistic practice, whose medium and recurring theme is the projection, this research consists of proposing and analysing the concept of the projecting image. In order to outline this concept, and distinguish it from the already known artistic category, the projected image (that combines both the notion of projection and screen), I seek to highlight the spatial, temporal and material dimensions, that constitute what I call the projective phenomenon, based on three preconceived ideas: the projector, the projective space and the projective surface. Thus, the main purpose of this thesis is to argue that the projecting image, connected to this projective phenomenon, develops through a complex process of transformation, comprised by an impulse, a journey and a trace. First, it seeks to understand how the image is propelled to the outside world, proposing the projector, on one hand, as a technological device, on the other as the body of the subject that projects the image. Secondly, it analyses the way in which the projecting image crosses and unfolds in the projective space, as well as the metamorphic and intermittent properties inherent to the pulsating flow of the projecting image during its journey. Finally, this research seeks to understand the ways the projecting image reveals itself, that is, what remnants and traces emerge through the reciprocal activation and transformation between image and surface. This investigation, being of a theoretical and practical nature, is closely articulated with a set of works produced along this journey and presented in my solo exhibition entitled Contorno Aparente, and identifies the projecting image, not only as the main theme of this theoretical investigation, but also as the leitmotif of the creative process within my artistic practice.pt_PT
dc.identifier.tid101574185pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/54553
dc.language.isoporpt_PT
dc.subjectProjecçãopt_PT
dc.subjectImagempt_PT
dc.subjectEspaço projetivopt_PT
dc.subjectSuperfíciespt_PT
dc.subjectEcrãs (projecção)pt_PT
dc.subjectImpulsividadept_PT
dc.subjectTravessia (Conceito)pt_PT
dc.subjectRasto (Conceito)pt_PT
dc.subjectCampo expandidopt_PT
dc.titleA imagem projectante : impulso, travessia e rastopt_PT
dc.typedoctoral thesis
dspace.entity.typePublication
person.familyNameFerreira
person.givenNameHelena
person.identifier.ciencia-idDE14-1D11-C3D7
person.identifier.orcid0000-0001-8123-5829
rcaap.rightsrestrictedAccesspt_PT
rcaap.typedoctoralThesispt_PT
relation.isAuthorOfPublication63a01716-9594-4481-a51a-a9e6099374bf
relation.isAuthorOfPublication.latestForDiscovery63a01716-9594-4481-a51a-a9e6099374bf
thesis.degree.nameTese de Doutoramento em Belas - Artes, na especialidade de Arte Multimédia, Universidade de Lisboa, Faculdade de Belas Artes, 2022pt_PT

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