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2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento

datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorMoura, Catarina Isabel Grácio de
dc.contributor.advisorFrade, Marta Alexandra da Costa
dc.contributor.authorAlcântara, Octávio Manuel Rodrigues
dc.date.accessioned2022-09-20T15:44:03Z
dc.date.available2022-09-20T15:44:03Z
dc.date.issued2022-05-03
dc.description.abstractThis PhD Thesis is both theoretical and practical by nature. Putting Photography at its core, as an expanded field, the developed project assumed Bergson’s and Marey’s notions of movement and time, searching in the present time the seminal possibility of creating a new corporeal object. The analysis of the medium’s plastic characteristics, as well of its ability to show the luminous trace through blurred trails, lead to the observation of a continuous movement in an intensive time, where the referent’s shape is lost and replaced by what is unformed and shapeless. This work also implies the contrast between the classic process of threedimensionality’s loss through photography, characterized by the annulment of volumetry and depth, and the possibility to recover a voluminous existence through the image’s virtualization, bringing it closer to the sculptural and therefore allowing the passage of two-dimensionality to three-dimensionality. The theoretical analysis and the practical achievement aimed by this thesis resulted in a project — 2” to 8” — whose primordial goal is to illustrate how the photographic may become sculptural through movement and, with it, through the duration of the present time, generating an interval that materializes and becomes a corporeal object. This project highlights the fertile connection between scientific research and artistic creation, which has been raising more curiosity through the last couple of decades, becoming a natural object of investigation. In this case, the photographic thought, organized as a visual essay, articulates the typical intention and plan of a research project with the reflection resulting from the attention given by the researcher to its own creative process, thus becoming a methodological strategy as well.pt_PT
dc.identifier.tid101578350pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/54530
dc.language.isoporpt_PT
dc.subjectFotografiapt_PT
dc.subjectPercepção do movimentopt_PT
dc.subjectEscultóricopt_PT
dc.subjectCampo expandidopt_PT
dc.subjectTridimensionalpt_PT
dc.subjectProjeto 2" a 8"pt_PT
dc.title2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimentopt_PT
dc.typedoctoral thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typedoctoralThesispt_PT
thesis.degree.nameTese de Doutoramento em Belas - Artes, na especialidade de Arte Multimédia (Fotografia), Universidade de Lisboa, Faculdade de Belas Artes, 2022pt_PT

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