Estilhaços : uma empatia animada

Publicação

dc.contributor.author	Gordeeff, Eliane Muniz
dc.date.accessioned	2017-12-13T18:10:06Z
dc.date.available	2017-12-13T18:10:06Z
dc.date.issued	2017-10
dc.description.abstract	The purpose of this article is to analyze the use of hybridization of the animated and filmed image in the creation of a narrative that propitiates the empathy of the public. The work in question is the short film Fragments (2016), by the Portuguese animator José Miguel Ribeiro. The questions of variation of visual information and how the spectator receives these images are developed for the analyzes — through the works of George Sifanos (2012), of André Gaudreault and François Jost (1995) and of Marie-José Mondzaim (2015)	pt_PT
dc.description.version	info:eu-repo/semantics/publishedVersion	pt_PT
dc.identifier.citation	IN: Estúdio. - Lisboa, 2010. - Vol. 8 nº20 (Out./Dez. 2017), p. 112-120	pt_PT
dc.identifier.uri	http://hdl.handle.net/10451/29970
dc.language.iso	por	pt_PT
dc.peerreviewed	yes	pt_PT
dc.publisher	112	pt_PT
dc.subject	Ribeiro, José Miguel, 1966-	pt_PT
dc.subject	Cinematografia	pt_PT
dc.subject	Imagem	pt_PT
dc.subject	Animação	pt_PT
dc.subject	Hibridação	pt_PT
dc.subject	Espectadores	pt_PT
dc.subject	Crítica e interpretação	pt_PT
dc.title	Estilhaços : uma empatia animada	pt_PT
dc.type	journal article
dspace.entity.type	Publication
oaire.citation.startPage	120	pt_PT
oaire.citation.title	Estudio	pt_PT
rcaap.rights	openAccess	pt_PT
rcaap.type	article	pt_PT

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