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Apropiaciones e intertextualidades en las instalaciones de Cristina Planas

2015-01Journal article Open access
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dc.contributor.authorMendoza, Mihaela Radulescu de Barrio de
dc.date.accessioned2019-02-13T15:42:05Z
dc.date.available2019-02-13T15:42:05Z
dc.date.issued2015-01
dc.description.abstractCristina Planas, sculptor, visual artist and Peruvian curator builds artistic realities from the mystery of the Christian representation in installations with epiphanic effect. The purpose of this paper is to analyze the epistemological development caused by cultural integration of referents of the sacred and the profane, as a source of experience through which the public can explore their own cultural identitypt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationIn: Croma. - Lisboa, 2013-. - Vol. 3 nº5 (jan/jun. 2015), p. 166-173pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/36988
dc.language.isospapt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artespt_PT
dc.subjectPlanas, Cristinapt_PT
dc.subjectEsculturapt_PT
dc.subjectInstalação (Arte)pt_PT
dc.subjectReligião - América do Sulpt_PT
dc.subjectSagrado - Profanopt_PT
dc.subjectTeoria da artept_PT
dc.subjectCriticismopt_PT
dc.titleApropiaciones e intertextualidades en las instalaciones de Cristina Planaspt_PT
dc.title.alternativeAppropriations and intertextuality in the installations of Cristina Planaspt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage173pt_PT
oaire.citation.startPage166pt_PT
oaire.citation.titleCromapt_PT
oaire.citation.volumeVol. 3 nº5 (jan/jun. 2015)pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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