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Apropiaciones e intertextualidades en las instalaciones de Cristina Planas

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Abstract(s)

Cristina Planas, sculptor, visual artist and Peruvian curator builds artistic realities from the mystery of the Christian representation in installations with epiphanic effect. The purpose of this paper is to analyze the epistemological development caused by cultural integration of referents of the sacred and the profane, as a source of experience through which the public can explore their own cultural identity

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Keywords

Planas, Cristina Escultura Instalação (Arte) Religião - América do Sul Sagrado - Profano Teoria da arte Criticismo

Pedagogical Context

Citation

In: Croma. - Lisboa, 2013-. - Vol. 3 nº5 (jan/jun. 2015), p. 166-173

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Publisher

Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes

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