Publication
Fragmentación como interferencia en la obra de Salomé Nascimento
| dc.contributor.author | García Lema, Natalia Desirée | |
| dc.date.accessioned | 2019-06-12T15:07:10Z | |
| dc.date.available | 2019-06-12T15:07:10Z | |
| dc.date.issued | 2016-04 | |
| dc.description.abstract | The purpose of this paper is to examine Salomé Nascimento’s artwork from a reconstructive methodology through fragments. Starting from the specific artwork: “Escola 18#4”, aspects as fragmentation or the book as representation base, are objects of research. In spite of a fragmented and many sided vision we can appreciate the whole work as the addition of different parts of the whole element which receded from the significance of the unity as a single element | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | In: :Estúdio. - Lisboa, 2010. - Vol. 7 nº14 (abr./jun. 2016), p. 102-109 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/38604 | |
| dc.language.iso | spa | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes | pt_PT |
| dc.subject | Nascimento, Salomé, 1970- | pt_PT |
| dc.subject | Arte contemporânea - Portugal | pt_PT |
| dc.subject | Fotografia | pt_PT |
| dc.subject | Fragmentos | pt_PT |
| dc.subject | Multiplicidade | pt_PT |
| dc.subject | Livros | pt_PT |
| dc.subject | Criação artística Crítica e interpretação Ensaios | pt_PT |
| dc.title | Fragmentación como interferencia en la obra de Salomé Nascimento | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.endPage | 109 | pt_PT |
| oaire.citation.startPage | 102 | pt_PT |
| oaire.citation.title | :Estúdio | pt_PT |
| oaire.citation.volume | Vol. 7 nº14 (abr./jun. 2016) | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
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