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Expressão autoral em Design de Interação
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A presente dissertação tem como objecto de investigação a relação da disciplina de Design de Interação com a prática autoral. Nesta âmbito, procura-se apresentar uma perspectiva de criação em Design de Interação que se afasta de uma concepção disciplinar do designer como produtor, do design como serviço e de metodologias de tradição racionalista e conservadora. O conceito de Design de Autor surge como uma proposta nova para o campo de Design de Interação em que se propõe a emancipação do designer, a exploração e envolvimento deste com o conteúdo e uma prática reflexiva relativamente à disciplina, ao meio e à própria ação do designer. Neste sentido, pretende-se ampliar a perspectiva dos profissionais da disciplina sobre a sua própria ação criativa. Considera-se necessário e relevante a existência de diferentes modos de fazer na disciplina, que articulem uma prática exploratória e crítica, tendo em atenção tanto os objectivos do autor como os do utilizador. Porém, é importante compreender se a autoria será uma prática válida na disciplina de Design de Interação e, fundamentalmente, naquilo que consiste ser um autor dentro desta área. Para tal, esta dissertação procura: enquadrar as perspectivas críticas de uma prática autoral numa pluralidade de contextos; enquadrar historicamente o surgimento de práticas de produção autoral em Design de Interação; compreender as limitações e vantagens deste modelo de criação na disciplina; definir fronteiras sobre o que poderá consistir uma expressão autoral em Design de Interação.
The present dissertation takes as its subject of investigation the relationship between the discipline of Interaction Design and authorial practice. It seeks to present a perspective of creation in Interaction Design that moves away from a disciplinary conception of the designer as a producer, design as a service and methodologies of a rationalist and conservative tradition. The concept of Design Authorship emerges as a new proposal for the field of Interaction Design, suggesting the emancipation of the designer, a greater exploration and involvement with the content, and a reflective practice regarding both the discipline, the environment, and the designer’s action. In this sense, the aim is to broaden the perspective of Interaction Design practitioners on their creative action. It is considered necessary and relevant the existence of different “ways of doing” in the discipline, articulating an exploratory and critical practice, taking into account both the objectives of the author and the user. However, it is important to understand whether authorship will be a valid practice for the discipline of Interaction Design and, fundamentally, what constitutes an author within this area. To this end, this dissertation seeks to: frame the critical perspectives of an authorial practice in a plurality of contexts; historically frame the emergence of authorial practices in Interaction Design; understand the limitations and advantages of this model of creation in the discipline; define boundaries on what an authorial expression in Interaction Design could consist of.
The present dissertation takes as its subject of investigation the relationship between the discipline of Interaction Design and authorial practice. It seeks to present a perspective of creation in Interaction Design that moves away from a disciplinary conception of the designer as a producer, design as a service and methodologies of a rationalist and conservative tradition. The concept of Design Authorship emerges as a new proposal for the field of Interaction Design, suggesting the emancipation of the designer, a greater exploration and involvement with the content, and a reflective practice regarding both the discipline, the environment, and the designer’s action. In this sense, the aim is to broaden the perspective of Interaction Design practitioners on their creative action. It is considered necessary and relevant the existence of different “ways of doing” in the discipline, articulating an exploratory and critical practice, taking into account both the objectives of the author and the user. However, it is important to understand whether authorship will be a valid practice for the discipline of Interaction Design and, fundamentally, what constitutes an author within this area. To this end, this dissertation seeks to: frame the critical perspectives of an authorial practice in a plurality of contexts; historically frame the emergence of authorial practices in Interaction Design; understand the limitations and advantages of this model of creation in the discipline; define boundaries on what an authorial expression in Interaction Design could consist of.
Descrição
Dissertação de mestrado, Design de Interação, 2024, Universidade de Lisboa, Faculdade de Arquitetura
Palavras-chave
autoria Design crítico exploração em Design Design de Autor Authorship Critic Design Design Exploration Author Design