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Aristides de Sousa Mendes: razões de humanidade: projeto expositivo itinerante

datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorGarrett Pinho, Elsa
dc.contributor.authorReis, Pedro Miguel Teixeira Braga dos
dc.date.accessioned2023-02-28T18:15:44Z
dc.date.available2023-02-28T18:15:44Z
dc.date.issued2023-01-03
dc.description.abstractOn March 24th, 2022, the exhibition Aristides de Sousa Mendes: Reasons of Humanity opened at the premises of the General Secretary of the Presidency of the Council of Ministers (SGPCM), and addressed the disciplinary lawsuit brought against Aristides de Sousa Mendes by the Ministry of Foreign Affairs in 1940. The exhibition was the result of a partnership protocol between the SGPCM, which promoted and ensured the general coordination of the project, and the Faculty of Fine Arts of the University of Lisbon (FBAUL), which ensured its planning and implementation. The planning of the exhibition was limited by its specificities: on the one hand, the approach and presentation to the public of a complex theme - the question of obedience to service as opposed to conflicts of moral conscience, based on the biographical path and action of a personality; on the other hand, a series of constraints established beforehand- it was intended to be a documentary-based exhibition, historical, in dialogue with elements of contemporary art, designed for traveling, and integrated into a non-exhibitive space. Hence, the challenge that was the outlining of its exhibition design plan. This paper addresses the development of the exhibition plan for the exhibition Aristides de Sousa Mendes: Reasons of Humanity, from the first meetings where its objectives and narrative line were established, to its opening to the public. Throughout three chapters, we present: 1) the theme of the exhibition, through a biographical note on Aristides de Sousa Mendes; 2) the development of the exhibition project, where communication design played a special role as a vehicle for the establishment of an effective visual identity that brought together the various elements of communication related to the exhibition narrative. Four intersecting elements were highlighted (the sign, the font, the word and the color), and each planning phase was addressed up to the final exhibition design (considering elements such as the spatial modelling and route; the equipment and exhibition design supports; the visual composition of the contents). In this context, we explored the idea of module as an enabling model for equipment design approaches capable of fast and protocoled reproduction, allowing the effective systematization of form and its coherent application in space; 3) the description of the materialization of the exhibition in terms of production, assembly and itinerancy, highlighting the material and monetary economy through the systematization and planning of operations, and reaffirming the importance of the advanced planning.pt_PT
dc.identifier.tid203231627pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/56492
dc.language.isoporpt_PT
dc.subjectMendes, Aristides de Sousa, 1885-1954pt_PT
dc.subjectDesign de Exposiçõespt_PT
dc.subjectExposições temporáriaspt_PT
dc.subjectMódulo Expositivopt_PT
dc.subjectExposição itinerantept_PT
dc.subjectMuseologiapt_PT
dc.subjectProjetopt_PT
dc.subjectNarrativa expositivapt_PT
dc.subjectIdentidade visualpt_PT
dc.titleAristides de Sousa Mendes: razões de humanidade: projeto expositivo itinerantept_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameDissertação de Mestrado em Museologia e Museografia, Universidade de Lisboa, Faculdade de Belas Artes, 2022pt_PT

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