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Publicação independente em Portugal : a utopia do impresso no contexto digital

2018-06-11Master thesis Open access
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datacite.subject.fosPráticas Tipográficas e Editoriais Contemporâneaspt_PT
dc.contributor.advisorRodrigues, Sofia Leal, 1975-
dc.contributor.authorCarvalho, Henrique Milen Vizeu de, 1977-
dc.date.accessioned2018-07-27T13:59:16Z
dc.date.available2018-07-27T13:59:16Z
dc.date.issued2018-06-11
dc.date.submitted2018-07-27
dc.description.abstractThe present dissertation intends to offer an overview of the Portuguese printed independent edition in the digital context, namely the first two decades of the 21st Century. The proposed study aims to identify: who are the players and what are the strategies in the contemporary Portuguese creative production scene? From the hypothesis of which the digital context reshapes, restricts, and even suppresses classic tasks related to the production chain of printed matter, such as: the design and composition of types, editorial design, printing, binding, and distribution of copies. Thus, would it can be considered utopian the works of the current actors of the artistic printed? Based on these assumptions became necessary to investigate the meaning of the utopia, going to look for the originating work from Thomas More, 1516, and how this work, and its proposal, relates to the vanguard of the editorial design, particularly, Kelmscott Press, from William Morris. Therefore, from this historical preamble, this research looks to offer links among the artistic vanguards, and the book of the artistic, and the Portuguese auto-edition along of the 21th century. Finally, as well having as reference the fecund projects such as: Tipo.pt, and the Portuguese Small Press Yearbook, edited since 2013 by Catarina Figueiredo Cardoso and Isabel Baraona, the present work explores closely the current panorama of Portuguese independent edition, relating it to the creative origins of printed editorial design and the legacy of previous generations of Portuguese publishers, notably, Fernando Ribeiro de Mello (Afrodite) e Vitor Silva Tavares (& etc). The methodology approach consists in bibliographic revision and historical analysis, at the same time was applied interviews to contemporary characters of the independent printing in Portugal, five representative cases of the Portuguese small press were analysed: Associação Chili com Carne, Stolen Books, STET, O Homem do Saco and XYZ Bookspt_PT
dc.identifier.tid201930056pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/34376
dc.language.isoporpt_PT
dc.subjectMorris, William, 1834-1896pt_PT
dc.subjectMelo, Fernando Ribeiro dept_PT
dc.subjectTavares, Vítor Silvapt_PT
dc.subjectAssociação Chili Com Carnept_PT
dc.subjectTipografiapt_PT
dc.subjectDesign gráficopt_PT
dc.subjectEdição independentept_PT
dc.subjectAuto-ediçãopt_PT
dc.subjectMercado do livro - Portugalpt_PT
dc.subjectUtopiapt_PT
dc.subjectPortuguese Small Press Yearbookpt_PT
dc.subjectEstudos de casopt_PT
dc.titlePublicação independente em Portugal : a utopia do impresso no contexto digitalpt_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameTese de mestrado, Práticas Tipográficas e Editoriais Contemporâneas, Universidade de Lisboa, Faculdade de Belas Artes, 2018pt_PT

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