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Das ruínas e do pó – O mundo contemporâneo em Luís Quintais
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O estudo apresentado propõe-se analisar a representação do mundo contemporâneo na obra poética de Luís Quintais. Reflete sobre a descrição que o poeta faz da cidade, partindo da imagética da ruína e desordem, e de um breve percurso pela cidade enquanto lugar na poesia. Os ecos e os vestígios são um material de destaque no ofício poético pela ponte que estabelecem entre presente e passado, resistência ao esquecimento /desaparecimento. Explora, também, o peso da herança histórica no diálogo do sujeito com o mundo, com a identidade da humanidade e a sua própria, esta última trabalhada, em particular, pelo recurso à memória. A atividade de rememoração é analisada pelo seu potencial de diálogo com o passado e compreensão do presente. Questiona também a viagem do sujeito na sua observação do que o rodeia e o impacto emocional baseado em sentimentos de tédio, medo, angústia e, de conflito com o mundo, mas também consigo mesmo, duelo entre o eu indivíduo e o tu poeta. Toda esta atividade lírica pulsa num ambiente de trevas, com descrições onde predominam as sombras, a noite, a obscuridão, e que, num plano maior, transparecem uma ideia de finitude, tragicidade, ultimamente, uma anunciação de destruição e esquecimento na qual a humanidade habita. No que diz respeito à linguagem, esta foi sempre tida como o fluxo condutor de todas as questões abordadas, por ser a demanda do sujeito quintaisiano: o alcançar da palavra que dê sentido ao seu redor. Uma viagem poética interminável e árdua que percorre os vários diálogos com os objetos de reflexão em cada poema e, assim, foi pensado o significado desta possibilidade de resistência perante a forma como o sujeito pressente a realidade atual, ao ir contra a tendência, ou dar significado à poesia, bem como a descoberta do fazer poesia como redenção.
The proposed study aims to analyze the representation of the contemporary world in the poetic work of Luís Quintais. This study reflects on how the author describes the city, starting from the imagery of ruin and disorder, and from a short tour of the city as a place in poetry. The echoes and remains are a prominent aspect in the poetic craft due to how they collect past and present, and resistance to oblivion/disappearance. The study also explores the weight of historical heritage in the dialogue of the subject with the world, with humanity's identity and his own - the latter worked on in particular with the resource of memory. Remembrance is analysed for its potential for dialogue with the past and understanding of the present. Furthermore, the study questions the subject's journey in his observation of his surroundings and the emotional impact based on feelings of boredom, fear, anguish, and conflict with the world, but also within himself, and the duel between the “I, the individual” and “you, the poet”. All this lyrical activity pulsates in an environment of darkness, with descriptions where shadows, night, obscurity predominate, which on a higher plane transpire an idea of finitude, tragedy, and ultimately an annunciation of destruction and oblivion in which humanity inhabits. Regarding language, this was always seen as the conducting flow of all the issues addressed, as it is the demand of the quintaisian subject: the reaching of the word that gives meaning to his surroundings. An interminable and arduous poetic journey that goes through the various dialogues with the objects of reflection in each poem and thus the meaning of this possibility of resistance was considered in the way the subject perceives the current reality when going against the trend or giving meaning to the poetry, as well as the discovery of making poetry as redemption.
The proposed study aims to analyze the representation of the contemporary world in the poetic work of Luís Quintais. This study reflects on how the author describes the city, starting from the imagery of ruin and disorder, and from a short tour of the city as a place in poetry. The echoes and remains are a prominent aspect in the poetic craft due to how they collect past and present, and resistance to oblivion/disappearance. The study also explores the weight of historical heritage in the dialogue of the subject with the world, with humanity's identity and his own - the latter worked on in particular with the resource of memory. Remembrance is analysed for its potential for dialogue with the past and understanding of the present. Furthermore, the study questions the subject's journey in his observation of his surroundings and the emotional impact based on feelings of boredom, fear, anguish, and conflict with the world, but also within himself, and the duel between the “I, the individual” and “you, the poet”. All this lyrical activity pulsates in an environment of darkness, with descriptions where shadows, night, obscurity predominate, which on a higher plane transpire an idea of finitude, tragedy, and ultimately an annunciation of destruction and oblivion in which humanity inhabits. Regarding language, this was always seen as the conducting flow of all the issues addressed, as it is the demand of the quintaisian subject: the reaching of the word that gives meaning to his surroundings. An interminable and arduous poetic journey that goes through the various dialogues with the objects of reflection in each poem and thus the meaning of this possibility of resistance was considered in the way the subject perceives the current reality when going against the trend or giving meaning to the poetry, as well as the discovery of making poetry as redemption.
Descrição
Palavras-chave
Quintais, Luís, 1968- - Crítica e interpretação Quintais, Luís, 1968- - Temas, motivos Quintais, Luís, 1968- - Linguagem Poesia portuguesa - séc.20-21 - História e crítica Memória - Na literatura História moderna e contemporânea - Na literatura Civilização - Na literatura Eu - Na literatura Cidades - Na literatura Teses de mestrado - 2022