datacite.subject.fos	Humanidades::Artes	pt_PT
dc.contributor.advisor	Elias, Helena Catarina Silva Lebre
dc.contributor.author	Heitor, Alice Diniz
dc.date.accessioned	2023-09-26T14:54:43Z
dc.date.available	2023-09-26T14:54:43Z
dc.date.issued	2023-03-14
dc.description.abstract	This dissertation addresses clay and ceramics, as subject matter in participatory sculpture, in contemporary art. The main objective is to present a critical review of participatory ceramic sculpture to examine my practice and propose a reinterpretation and new future design proposal. With this, I address, in a diachronic and synchronic way, the importance and application of clay in art, particularly in sculpture practice. Indeed, sculpture practice goes throughout the 20th century under several manifestations where concepts such as sculpture in the expanded field, social sculpture, or project-sculpture fit in. In the scope of this methodology, I reflect on the manifestations of contemporary sculpture, I present definitions by several authors on the dimensions of participation in sculpture and discuss two concrete case studies: the series of the work Field, by Antony Gormley and Guardar Águas, Ar no Mar e NuTi Fazi, by Virgínia Fróis. The analysis of the case studies presents models of participatory ceramic sculpture, where three fundamental aspects emerge: the relational link of the clay with people, the compositional form of the models of participation, and the social dialogic established. From this detailed framework, I present a self-reflection to my previous work in ceramics to build a proposal for future execution	pt_PT
dc.identifier.tid	203330226	pt_PT
dc.identifier.uri	http://hdl.handle.net/10451/59481
dc.language.iso	por	pt_PT
dc.subject	De Vários a Coletivo (Grupo de artistas)	pt_PT
dc.subject	Coletivo LáecÁ (Grupo de artistas)	pt_PT
dc.subject	Escultura	pt_PT
dc.subject	Cerâmica	pt_PT
dc.subject	Barro	pt_PT
dc.subject	Arte contemporânea	pt_PT
dc.subject	Arte participativa	pt_PT
dc.subject	Estudos de caso	pt_PT
dc.title	Quando as pessoas também são a matéria-prima : barro, escultura e participação : três elos possíveis	pt_PT
dc.type	master thesis
dspace.entity.type	Publication
rcaap.rights	openAccess	pt_PT
rcaap.type	masterThesis	pt_PT
thesis.degree.name	Dissertação de Mestrado em Escultura, Universidade de Lisboa, Faculdade de Belas Artes, 2022	pt_PT

Quando as pessoas também são a matéria-prima : barro, escultura e participação : três elos possíveis

Ficheiros

Principais

Licença

Coleções