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Quando as pessoas também são a matéria-prima : barro, escultura e participação : três elos possíveis
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This dissertation addresses clay and ceramics, as subject matter in participatory sculpture, in contemporary art. The main objective is to present a critical review of participatory ceramic sculpture to examine my practice and propose a reinterpretation and new future design proposal. With this, I address, in a diachronic and synchronic way, the importance and application of clay in art, particularly in sculpture practice. Indeed, sculpture practice goes throughout the 20th century under several manifestations where concepts such as sculpture in the expanded field, social sculpture, or project-sculpture fit in. In the scope of this methodology, I reflect on the manifestations of contemporary sculpture, I present definitions by several authors on the dimensions of participation in sculpture and discuss two concrete case studies: the series of the work Field, by Antony Gormley and Guardar Águas, Ar no Mar e NuTi Fazi, by Virgínia Fróis. The analysis of the case studies presents models of participatory ceramic sculpture, where three fundamental aspects emerge: the relational link of the clay with people, the compositional form of the models of participation, and the social dialogic established. From this detailed framework, I present a self-reflection to my previous work in ceramics to build a proposal for future execution
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De Vários a Coletivo (Grupo de artistas) Coletivo LáecÁ (Grupo de artistas) Escultura Cerâmica Barro Arte contemporânea Arte participativa Estudos de caso