datacite.subject.fos	Humanidades::Artes	pt_PT
dc.contributor.advisor	Marcelino, Américo Luís Enes
dc.contributor.author	Pereira, Maria Dilar da Conceição
dc.date.accessioned	2022-12-20T16:40:50Z
dc.date.available	2022-12-20T16:40:50Z
dc.date.issued	2022-11-11
dc.description.abstract	This thesis discusses the limits and the definitions of drawing from the second half of the 20th century onwards. Namely we analize its traits or distinctive characteristics and its ontology, particularly when its identity is played in limit situations. To this end, it presents a historical review of theoretical concepts analysing and reflecting on relevant artistic examples used as cases studies. Through these cases, the thesis shows the mapping of contemporary drawing practices, calling for their reconfiguration in new forms, as well as involving the problem of its limits, its manifestations, and the strategies of transposition between different media. The manifestations and intersections of concepts such as ‘idea’, ‘mark’, ‘process’, ‘materiality’, ‘immateriality’, ‘expanded field’, ‘sensation’, ‘space’, ‘time’, ‘thinking’, ‘event’, ‘experimentation’, ‘interstitially’, and ‘permeability’ are questioned and discussed. Two core features were identified and guided the development of the research: hybridation and transitus. In addition, an artistic component was developed and introduced, through an experimental and intermedia approach that explored the limits of drawing using different means and technologies, such as the manipulation of paper, folding and cutting as a trace, drawing with light, video, sound, and drawing media. This thesis based in a practice-related research, focused on the drawing practices that are enhanced at its limits, in interstitial and liminal spaces characterized by the permeability and the passage — in transitus — between different levels of drawing. The thesis proposes a reconceptualization of drawing as a hybrid and relational territory, in which different strategies of transposition and intermedia transmission come together.	pt_PT
dc.identifier.tid	101707371	pt_PT
dc.identifier.uri	http://hdl.handle.net/10451/55470
dc.language.iso	por	pt_PT
dc.subject	Desenho	pt_PT
dc.subject	Arte Contemporânea - Séc.20-21	pt_PT
dc.subject	Hibridação	pt_PT
dc.subject	Intermedia	pt_PT
dc.subject	Prática artística	pt_PT
dc.subject	Estudos de caso	pt_PT
dc.subject	Historiografia	pt_PT
dc.subject	Teoria do Desenho	pt_PT
dc.title	Os limites do desenho: perspetivas contemporâneas: hibridação e transitus	pt_PT
dc.type	doctoral thesis
dspace.entity.type	Publication
person.familyName	da Conceição Pereira
person.givenName	Maria Dilar
person.identifier.ciencia-id	791C-3CB3-15BA
person.identifier.orcid	0000-0001-7533-5831
rcaap.rights	openAccess	pt_PT
rcaap.type	doctoralThesis	pt_PT
relation.isAuthorOfPublication	accc0656-5faa-43c3-98ed-fea80421cde5
relation.isAuthorOfPublication.latestForDiscovery	accc0656-5faa-43c3-98ed-fea80421cde5
thesis.degree.name	Tese de Doutoramento em Belas-Artes, na especialidade de Desenho, Universidade de Lisboa, Faculdade de Belas Artes, 2022	pt_PT

Os limites do desenho: perspetivas contemporâneas: hibridação e transitus

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