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As viagens de Paulo V : heterotopia, propagação e ubiquidade

datacite.subject.fosArte Multimédia - Especialização em Audiovisuaispt_PT
dc.contributor.advisorQueiroz, João Paulo, 1966-
dc.contributor.authorRibeiro, Jorge Henrique Antunes Vieira
dc.date.accessioned2017-08-03T16:56:29Z
dc.date.available2017-08-03T16:56:29Z
dc.date.issued2017-02-20
dc.date.submitted2017-08-03
dc.description.abstractAs viagens de Paulo V. - Heterotopia, Propagação e Ubiquidade, consists in a theoretical and practical dissertation that has as its starting point the practice of amateur radio developed by Paulo V. - nuclear character of this reflection - activity to which he devoted himself for four decades, resulting in an extensive and diverse collection of elements. The questioning about the motivation of this practice, as well as the relevance of their relationship in an artistic context, conducted this research to Michel Foucault and his concept of heterotopia in which this reflects about the space and time in contemporary times, an issue that is developed in the chapter dedicated to theoretical framework. Thus, from this concept, the bridge is created for the thought of Jorge Luis Borges, establishing the basis of his recurring themes - eternity and infinity - an idea of propagation and ubiquity of the subject, relating these concepts to the practice of amateur radio. In order to frame the time when this activity had its golden age, it is observed the change that Futurism brought to the art scene at the beginning of the 20th century, setting forth the emerging appetite for progress. Subsequently, is identified the relation that this avant-garde movement had with Russian Constructivism, being visible the influence, at a plastic level, between the graphic and typographic paradigm by the artists linked to this movement, and the elements resulting from the amateur radio activity. This chapter concludes with some examples of artwork, identifying relationships of proximity between these authors and the core concepts of this dissertation. The last part of this document is devoted to the presentation of the authorial practical project, divided into two parts, each containing several pieces of diverse nature, contemplating the practices of photography, video, drawing and installation, called CT1LNpt_PT
dc.identifier.tid201614723
dc.identifier.urihttp://hdl.handle.net/10451/28558
dc.language.isoporpt_PT
dc.subjectFoucault, Michel, 1926-1984pt_PT
dc.subjectBorges, Jorge Luis, 1899-1986pt_PT
dc.subjectDuchamp, Marcel, 1887-1968pt_PT
dc.subjectWeiwei, Ai, 1957-pt_PT
dc.subjectEliasson, Olafur, 1967-pt_PT
dc.subjectKrén, Matej, 1958-pt_PT
dc.subjectSaraiva, Pedro, 1952-pt_PT
dc.subjectPaulo V., 1941-pt_PT
dc.subjectRadioamadorismopt_PT
dc.subjectHeterotopiapt_PT
dc.subjectPropagaçãopt_PT
dc.subjectUbiquidadept_PT
dc.subjectFuturismopt_PT
dc.titleAs viagens de Paulo V : heterotopia, propagação e ubiquidadept_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameTese de mestrado, Arte Multimédia - Especialização em Audiovisuais, Universidade de Lisboa, Faculdade de Belas Artes, 2017pt_PT

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