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Sob o céu de Veneza : o português João louro e o brasileiro André Komatsu

2016-10Journal article Open access
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dc.contributor.authorMarcondes, Neide
dc.contributor.authorMartins, Nara Sílvia Marcondes
dc.date.accessioned2019-06-14T11:13:28Z
dc.date.available2019-06-14T11:13:28Z
dc.date.issued2016-10
dc.description.abstractToday's world seems a complicated web of events; artists narrate in various modes of expression. We propose an interpretation / reading of João Louro and André Komatsu, contemporary artists, who participated in the 56th Venice Biennale, in 2015 being the first Portuguese, the latter Brazilian. Louro stood in the Palazzo Loredan and Komatsu in the Brazil Pavilion. Social and urban disorders are part of the concern of artworks and build the current idea of an aesthetic of immediacy, and sometimes dystopianpt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationIn: Estúdio. - Lisboa, 2016-. - Vol. 7, nº16 (Out./Dez. 2016), p. 122-129pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/38633
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artespt_PT
dc.subjectLouro, João, 1960-pt_PT
dc.subjectKomatsu, André, 1978-pt_PT
dc.subjectEsculturapt_PT
dc.subjectInstalação (Arte)pt_PT
dc.subjectTeoria da artept_PT
dc.subjectCriticismopt_PT
dc.titleSob o céu de Veneza : o português João louro e o brasileiro André Komatsupt_PT
dc.title.alternativeUnder the sky Venice : the portuguese João Louro and brazilian Andre Kamatsupt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage129pt_PT
oaire.citation.startPage122pt_PT
oaire.citation.titleEstúdiopt_PT
oaire.citation.volumeVol. 7, nº16 (Out./Dez. 2016)pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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