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Adentrando os poros abertos de Cláudia Paim

dc.contributor.authorMaio, Ana Zeferina Ferreira
dc.date.accessioned2019-02-12T16:58:53Z
dc.date.available2019-02-12T16:58:53Z
dc.date.issued2015-01
dc.description.abstractThis paper discusses the artistic pro¬duction of Claudia Paim in the context of her performances in Carta, Amálgamas and Fluox¬etina. It examines how the artist discusses issues such as gender, narrative and memory through conscious and intentional bodily speech, which adopts dispersion as technique perform. There¬fore, we assume that the body that perfoms is a body with open porespt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationIn: Croma. - Lisboa, 2013-. - Vol. 3 nº5 (jan/jun. 2015), p. 80-87pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/36951
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artespt_PT
dc.subjectPaim, Claudiapt_PT
dc.subjectPerformancept_PT
dc.subjectCorpopt_PT
dc.subjectDispersãopt_PT
dc.subjectTeoria da artept_PT
dc.subjectCriticismopt_PT
dc.titleAdentrando os poros abertos de Cláudia Paimpt_PT
dc.title.alternativeEntering the open pores of CLáudia Paimpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage87pt_PT
oaire.citation.startPage80pt_PT
oaire.citation.titleCromapt_PT
oaire.citation.volumeVol. 3 nº5 (jan./jun. 2015pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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