Publication
Adentrando os poros abertos de Cláudia Paim
| dc.contributor.author | Maio, Ana Zeferina Ferreira | |
| dc.date.accessioned | 2019-02-12T16:58:53Z | |
| dc.date.available | 2019-02-12T16:58:53Z | |
| dc.date.issued | 2015-01 | |
| dc.description.abstract | This paper discusses the artistic pro¬duction of Claudia Paim in the context of her performances in Carta, Amálgamas and Fluox¬etina. It examines how the artist discusses issues such as gender, narrative and memory through conscious and intentional bodily speech, which adopts dispersion as technique perform. There¬fore, we assume that the body that perfoms is a body with open pores | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | In: Croma. - Lisboa, 2013-. - Vol. 3 nº5 (jan/jun. 2015), p. 80-87 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/36951 | |
| dc.language.iso | por | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes | pt_PT |
| dc.subject | Paim, Claudia | pt_PT |
| dc.subject | Performance | pt_PT |
| dc.subject | Corpo | pt_PT |
| dc.subject | Dispersão | pt_PT |
| dc.subject | Teoria da arte | pt_PT |
| dc.subject | Criticismo | pt_PT |
| dc.title | Adentrando os poros abertos de Cláudia Paim | pt_PT |
| dc.title.alternative | Entering the open pores of CLáudia Paim | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.endPage | 87 | pt_PT |
| oaire.citation.startPage | 80 | pt_PT |
| oaire.citation.title | Croma | pt_PT |
| oaire.citation.volume | Vol. 3 nº5 (jan./jun. 2015 | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
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