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Authors
Advisor(s)
Abstract(s)
This paper discusses the artistic pro¬duction of Claudia Paim in the context of her performances in Carta, Amálgamas and Fluox¬etina. It examines how the artist discusses issues such as gender, narrative and memory through conscious and intentional bodily speech, which adopts dispersion as technique perform. There¬fore, we assume that the body that perfoms is a body with open pores
Description
Keywords
Paim, Claudia Performance Corpo Dispersão Teoria da arte Criticismo
Pedagogical Context
Citation
In: Croma. - Lisboa, 2013-. - Vol. 3 nº5 (jan/jun. 2015), p. 80-87
Publisher
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
